Strategically Lost

As we come closer to the final launch of our additional sites, Lost Agency, and Lost Stills, which will be used to manage and market the team with our commercial-based projects both stills and print, being organized around the Lost Concept.

Staying within the film and TV project base we will also be working on some more fashion-oriented images with possible fashion films into the bargain, *focusing on the behind-the-scenes elements of our creative shoots which in turn will give us some footage to be used as showreel material and marketing fodder.

We will also be continuing our Q and A blogs in support of the indie scene and looking at different elements of filmmaking and giving voice to campaigns, fundraisers, and individual talents.

Over the next few weeks, we will be finalizing and putting out the new work with a full and comprehensive business plan being polished to meet the new standards within the industry.

Stay tuned for more updates from the lost team.

Updates From The Creative Sphere

Over at the Lost Creatives home office, we have been plugging away at our work and will have some project announcements and cast/crew requirements going live very soon. While this is being worked out, we have some announcements that as a team we are really excited about and wanted to share.

As creative director and head of makeup, JamesC, has been instrumental in the development of his new site and working on a consultation basis, for Sons of Adonis makeup (it will be added to his working kit), as part o this a limited edition brush was created featuring his logo and the brand: available from the Sons of Adonis site.

In terms of production and editorial, we have decided to add to our site holdings and will be launching a separate photography site that will feature the work of JamesC both his commercial work and the behind-the-scenes stills on film and TV shoots. The reasoning for this is to allow an expanded sense of his creative work and offer a different perspective on the work of a makeup artist.

Lost Agency is being formed and set around the needs of the main business and will handle the overall marketing, banking, and other elements of our work as an umbrella creating an in-house and full-spectrum setup that is own, controlled, and managed for the needs of the Lost team.

Over the next few weeks, we will be releasing additional details on what is happening and casting/crew opportunities for smaller festival entry projects.

Discussions On Publishing With The Red Cape Team

When we were approached by the Red Cape Publishing team to review the new short story collection “Six” by Mark Cassell, it was too good an opportunity to miss in what has become a series of blogs looking at different aspects of the media business. Taking time to ask questions about the publishers themselves and how the business was formed, is the growing presence and support of indie authors in the digital age.

Can you tell us more about Red Cape publishing and the services you provide? 

Thanks for having us! Red Cape Publishing was formed towards the end of 2018, initially as a brand name to cover a few things – my own writing, Leanne’s design work, and some author promo services we had begun to offer. Since then, the range of services has grown, we moved into publishing anthologies towards the end of 2019, and in 2020 began taking on other authors. It’s very much a family-run business, with even our children reviewing books on our website (age-appropriate, of course!). 

What was the motivation for starting your business and building the brand? 

Writing had always been a passion but a few years ago I never would have thought we’d be doing what we are. In 2016 I wrote my first novel (books available on Amazon), with no expectation that anyone would read it and no knowledge of what to do with it when it was finished! I went down the route of self-publishing, learned as much as I could, and put the book out there. At the time, Leanne and I were running a catering business but at Christmas 2016 she ended up in hospital for some time and was diagnosed with quite severe Crohn’s disease. This led to us closing the catering and taking a chance on my writing and building a book-related business from home. It hasn’t been easy and it’s taken a lot of work but the horror community has been great with advice and support and, we hope, we’ve been able to give help to a number of authors as well. 

Is there any advice you would give to aspiring entrepreneurs and potential authors out there looking to get published? 

Connecting with other people is a huge help. Most of the people we first connected with were through some promotional blogs we would run, spotlighting other people’s books. This was done purely to help writers gain a little more exposure and it’s something we still do, of course. Most people are incredibly supportive as so many of us are in the same situation and networking is key to building a following and reputation. 

Regarding getting published, do your research. Look at the presses who work in your genre, see who has open calls and what their other releases are like. Make sure your manuscript is as ready as you can make it. And if you’re submitting to an anthology call, ensure you’ve followed the guidelines. Around 10% of stories we receive get discarded immediately for silly things like having no name on, no title, or too far beyond or under the word count. 

What are the future plans of Red Cape Publishing and how can people get involved? 

Our releases are now scheduled into 2022 so there are many new books coming. We have been releasing a series of horror anthologies (The A-Z of Horror) and submissions for book nine close on May 31st, with book ten opening June 1st (Red Cape publishing submission page ). These are released every 8-10 weeks and see us through to early 2023! May 26th is our next release, and our fifth title from the talented Caroline Angel, Origin of Evil. In June we’ll be bringing out a new anthology (Castle Heights), a cosmic horror novella by Tim Mendees (Spiffing) and J is for Jack-O’-Lantern at the end of the month or the start of July. We have an art book with some flash fiction coming as a collaboration between myself and David Paul Harris (Demons Never Die), an epic dark fantasy from Antoinette Corvo (Appletown), and a trilogy of crime novels from David Owain Hughes. Not to mention my own half-finished books and the submissions we have for consideration. All in all, there is quite a lot on the way and it’s really exciting to be bringing it out. If anyone would like to look at our previous titles, there is a PDF catalog on the home page of our website and most titles are available on Audible as well. 

To learn more about Red Cape Publishing and its authors, or to support the business see:

Red Cape Publishing Website.

Red Cape Publishing Facebook.

Red Cape Publishing Twitter.

Red Cape Publishing Instagram.

Red Cape Publishing Patreon.

Red Cape Publishing Buy Me a Coffee.

.

Talking Acting and Directing With Paul Andrew Goldsmith

We wanted to take a look at the life of a full-time actor and creator, asking questions about the journey and upcoming projects with the help of Paul Andrew Goldsmith we were able to gain a little more insight into the world of an actor/director as he prepares for his new work.

Can you tell us a little about yourself, your career, and your own projects and plans? 

Whatever it is, the way you tell your story online can make all the difference.

I’m Paul Andrew Goldsmith, a professional creative based in little old Norfolk. I’ve had a very varied career including theatre, film, and TV work, and particularly proud to have been able to make my full-time living from the industry. It’s nowadays so hard to actually describe your profession, I act, I direct, I write and I teach. I literally do as much of anything I can in order to earn a living. I consider myself really lucky to be able to do so. Though let’s be honest we can all forget about 2020. 

Alongside my current project, my first feature film, I’m excited to get back to directing the  Warner Bros show, ‘The Polar Express’ this year and taking our street theatre show, ‘Ulysses’ out in the summer. 

So far in your career has there been a milestone that you want to share or a project you are particularly proud of? 

When I first started out full time as an actor I set various goals to achieve, 1st theatre tour, 1st film role, getting on spotlight, 1st agent, and so on. I think it’s always wise to have a stream of achievable targets that can adapt as you go but you must start out small so you don’t feel like a failure early on. It’s also worth keeping that list to always look back on to remind yourself exactly what you have achieved and how far you’ve gone. I think this is very true for the past year of lockdown when many of us have felt it’s not happening. 

As for milestones that make me particularly proud, I think it’s probably two. The first time I got paid for my work and secondly the first time I was able to pay others as a result of my work. It’s an incredibly empowering feeling to be able to bring employment to other creatives through things you’ve created. Again, especially after the past year. ‘NOTE I promise that’s the last time I’ll refer to the unwelcome visitor of 2020. 

What has been the biggest challenge you have faced so far as either an actor or as a director? 

Self-doubt and imposter syndrome for both. It never truly goes away however many years you’ve been active and how much work you’ve done. However, you can dampen it again by reminding yourself of the things you have achieved. 

You have a new project that you are crowdfunding. Can you tell us a little more about it and what was your motivation for creating it?  

When I was first starting out as an actor, I wanted a job to help earn yet be flexible enough to enable me to book acting work. I became a support worker for adults with learning disabilities. I found that I was a natural with the work and soon became a home manager before eventually opening my own day service. During my time working in the industry, I was alarmed at some of the treatment that goes on, intentionally and unintentionally with lifestyle choices being decided by care plans and risk assessments. I felt true freedom of expression and choice was regularly blocked and very often just to suit a particular organization rather than the person paying for those services. At the time I realized there were stories to be told, particularly a situation I observed with two service users who were clearly in love, yet kept apart. I began noting things I noticed that I felt could become part of a theatre show or film and now, some years later, I’m ready to bring it all together in a film. 

SAGACITY –

When a support worker realizes two men with learning disabilities have fallen in love at a daycare center, he fights for their rights to form a full relationship but is thwarted constantly by governance, staff members, and the care home management. 

Whatever it is, the way you tell your story online can make all the difference.

I’m currently sourcing funding for the film in a variety of different ways as it is essential for me to be able to pay all those involved. Sadly 2020, Damnit I mentioned it again, wiped a huge amount of my savings out so I’m starting again from scratch. 

We’re all in the same boat so I’m asking people to just ‘Buy me a coffee’ from as little as £2 or to follow/share media as much as possible to raise awareness. 

Is there any advice you would offer someone entering into the creative arts and media? 

Believe in yourself. Be open to every opportunity, often the small things become lifelines and away into something far more. Get to know others, but always work based on what’s best for you and what works for you. Whilst many will claim there is, there truly aren’t any rules to what the industry is for you. It’s the arts, after all, it’s supposed to be for everyone. 

To learn more about Andrew Paul Goldsmith or his current projects see:

Paul Andrew Goldsmith Vshowcards.

Paul Andrew Goldsmith Twitter.

Sagacity Campaign.

Sagacity Twitter.

Sagacity Facebook.

Short and Micro Films

We have been extremely lucky with our contacts across the board and privy to a variety of amazing short/microfilms that have been either experimental or designed to augment actors’ showreels. Each that we have seen (both the public and password protected) had a common thread: they make you think.

Taking this further we have been discussing with the very talented, Alistair Smith, his own scene work as potentially a festival project. *We were lucky to be given access through a password-protected link, but can honestly say that he has got us thinking about micro/short projects as a tool to promote.

We are supporters of using short and microfilms as promotional tools and understand that the concepts can vary from a 30-second commercial to a 20-minute film, the key to this for us, is the story must work and make the watcher think. You should want to see more or ask questions about the backstory, this for us is successful.

Someone else who appreciates this idea is the team behind Micromania Film Festival, focused specifically on films under 5 minutes, there is a real challenge to the process of filmmaking in general but the potential of a film of 5 minutes or less is to us, something we want to explore in more depth as a combination of marketing tool and experimental process with films that will challenge us a team.

We are going to be reviewing options and looking at scripts that will give us that room to experiment, showcase the talents of both those in front and behind the cameras with the added element of documentary footage, and potentially showreel material for certain members of the team.

Stay tuned for updates.

Talking Film With Louis Findlay

As the indie film scene takes more of a center stage to the world of filmmaking, we talk to Louis Findlay about his project Roadkill and the journey it has been getting there as both a creator and a performer.

Can you tell us a little about yourself, your career?

 I’m 30 years old, my wife and I have just had a baby - our first, and I now have a dad bod!  

I’ve always been excited by cameras, I was always looking in the Argos catalog as a kid and being excited by all the new cameras. I used to love going in Jessops and seeing them on the shelf and always dreamed of having one. 

I got my first camera when I was 14 and used to make all of our Parkour videos which I did till I was 22 working as a professional soon also forerunner. 

When I started acting I had no idea how to get into it and no one would give me a chance, so I started writing and filming my own scenes which soon turned into shorts and then features. 

My first short film called Days To Come was loosely based on my own struggles with anxiety and depression, it won 4 awards in Europe and I won the best actor at the Los Angeles Actor Awards in 2017. 

Since then, I’ve not looked back and continue to make my own work, I love it.

 You have a new project that you are crowdfunding. Can you tell us a little more about it?

RoadKill is based on a short film me and some friends made in 2018. It centers around two brothers who are traveling across the country and during an argument, they crash the car and hit a girl walking along the side of a road and how they cope with doing the right thing.

The feature has come a long way since the short and very much centers around life at home between Ben and his mother Liz who’s alcohol addiction is not only affecting her life but Ben’s life too. He turns to selling drugs on the estate to pay the bills after losing his job and lands himself in a spot of bother. His older brother Josh returns from prison and is determined to turn his life around, connect with his ex and be the family man but he has no idea how hard life has been for Ben. Their mother is taken to hospital and doctors recommend she needs rehab to make a full recovery but they don’t have the money. They agree to do a job for Ben’s dodgy boss and if all goes well they’ll have enough money to cover the costs of treatment. This film focuses on broken Britain and the lengths people will go to in order to keep a roof over their heads and take care of the ones they love. 

 What is your goal as a filmmaker and what would be your dream project?  

 My goal as a filmmaker is just to continue telling stories and never stop. I don’t seek permission from anyone, if I have a story to tell then I’ll tell it. My goal is to focus on hard-hitting dramas and offer an insight into other people’s lives so that we can learn from others. 

I don’t know if I have a dream job, I’m just very happy doing what I’m currently doing. But I guess the dream is just working with like-minded people and having fun along the way. 

 Is there any advice you would offer someone entering into the creative arts and media?

 Do your research. Reach out to others for help start small. Work within your limits and make use of things you already have. 

Have a bit of money behind you, never crowdfund without putting your own money in first. I like to think of crowdfunding as just topping off the glass. I always put as much money as I can into my films because if crowdfunding is unsuccessful, you’re not relying entirely on others to help you tell your story. You’ll have some money in your pocket to make a start at least. 

“ If you have an idea, find a way to get it done no matter what, if someone tells you “no” but you're passionate about telling  it, then tell it!”

To learn more about the project or to support the film see:

Roadkill Movie Fundraiser.

Roadkill Movie Website.

Roadkill Movie Facebook.

Roadkill Movie Instagram.

Roadkill Movie Twitter.

Talking Casting With Ray Whelan Actor and Talent Agent

In the first of a two-part look at the life of actors and talent agents, garnering some advice for aspiring actors and creative talent looking to be signed we talk to the talented Ray Whelan whose work as an actor has led him down the talent agent route with the T-ypo Agency giving him a unique insight into both sides of the business.

Can you tell us a little about your career and how you can be both a talent agent and actor?  

I grew up in Ireland from a very talented musical family, we were all in plays and musicals before I even went to drama school. After I graduated I moved to London. I have been working hard ever since. After moving into filming and creating my own work I also joined my agent Typo Artist Agency which I love. 

What have you learned in your capacity as a talent agent and actor that could benefit other actors? 

Casting directors are busy people, they have so many projects on the go, so when you send in your self-tape, make sure you label your name, project, and agent, you might lose out on the job if you haven’t done this. I also would say when you actually get a self-tape or audition you have already beaten hundreds of thousands of people to get there, you have to send it in or turn it up. I see too many people skip it or miss their deadline. You will miss your opportunity and even if you don’t land the role, casting directors remember people and usually re-use the acting agents again. It’s not just the actor’s reputation on the line it's also the talent agent’s reputation also.

What recommendations would you make to someone looking to get signed to an agency?

Good headshots are a must first. We look to see if they have a spotlight page and showreel, but we do sign people who are not on spotlight, so don’t be scared to not apply. Our new (T-ypo agency) website should be launched this week, we will have an option to upload your headshots and work and we can simply approve or not. Also, so many agent’s books are open, just keep looking and keep persisting, it’s the name of the game. 

Is there a dream role or project you would like to be involved in? 

As an actor any good role in a film or TV show is great. Later this year we are starting casting calls for a feature film called Ladies Day featuring a host of top actors and celebrities and we will be posting castings on spotlight and our social media.

To learn more about Ray Whelan and his work see:

Ray Whelan Spotlight.

Ray Whelan IMDB.

For further information or to talk to the team at The T-ypo Agency see:

The Typo Agency.

Profiling Talent with Alistair Smith Actor

Can you tell us a little about yourself, your career, and how you came to be part of the acting community?

My entry into the acting community was somewhat of a Covid epiphany.  I’ve come from the corporate world having graduated with a business degree. Over the last 20 years, I built a pretty successful career, starting my own consultancy business about 5 years ago.

I wanted to go to drama school when I was in my late teens but at the time was persuaded to go down a more secure route.  I’ve always been creative and looking back I was very frustrated in my choice of work.

At the start of lockdown, with work having dried up, it gave me the headspace to start thinking about what I wanted to do and came to the realization that I’d never given myself the chance to actually pursue my dreams.  

I called up a good friend who works in theatre and he put me in touch with my first acting coach.  My passion is film and television and so I decided to dip my toe into the water at “an introduction to film and television acting” with Actors Studio at Pinewood studios.  I loved it.  I immediately signed up for the 1 month intensive diploma course and knew this is what I want to do.  Since then, I have joined my local theatre group, taken numerous acting classes, and started to build my network and credits.

 So far in your career has there been a milestone that you want to share or a project you are particularly proud of?

 My current high-point is being cast in a feature film.   It’s filming in the next couple of months and am really excited about it.  I’d say the other high point is just experiencing the kindness and generosity of the creative community as a whole.  Having come from the corporate world it has been a refreshing and welcome change. 

If you could choose any project to tackle what would it be and why: a film?  A TV show?  Theatre? 

I feel I was made for a chunky role in Line of Duty or a gritty drama. A period drama would also be an amazing experience.

What are your goals for this year in terms of your career?

To get on Spotlight, to get an agent and appear on a mainstream TV show.

To learn more about Alistair Smith or to discuss bookings see:

Alistair Smith Showreel.

Alistair Smith Mandy.com Profile.

Alistair Smith Twitter.

Alistair Smith Instagram.

Alistair Smith IMDB.

Alistair Smith Starnow.

Tackling The JamesC Website

We have been talking (via Twitter) about taking down our creative director JamesC’s website and completely overhauling it with a mix of his work from previous shoots, and of course new editorials mixed with additional TV/character-based concepts. That is now in motion and for the next two weeks, we will be doing the wrap-up work with a view to having a profile with vShowcards that will be central to his marketing as a makeup artist.

Taking this step has been really scary, as you can imagine, but it was a necessary move that we felt was long overdue, and with so many changes in motion to the market overall, we did this with a view to the long-term goals of the Lost Creatives and it will give a more focused and cohesive look to his work. With this in mind, we are debating adding a further 3 sites to the Lost portfolio making the overall theme of our work more cohesive and taking much of our business internally which will give us a stronger control over the imaging, marketing, and projects we tackle.

For those interested in keeping up with the news and updates JamesC will continue writing for our blogs and is still on Twitter. The new site is mostly complete and will be focused solely on his artistry work, while The Lost Creatives expands with him at the helm we will be working on the development of TV projects, short films for festival entry, and photo projects, to name but a few of our plans.

The iKons Fashion Film 2021

In a year that has seen industry slow down and in some cases completely stop, it is gratifying to see the fashion industry and the creative talent behind it have found a way to showcase not only the designers but the creative talent from behind the scenes.

The House of iKons has stood tall in this with a fashion film and series of collaborations, and partnerships that have shown clearly that fashion talent still has a voice and a place in the world with the people speaking softly and letting the video do the real work. A creative tour de force, this latest incarnation to one of the leading off-schedule fashion events worldwide, has allowed everyone from the makeup staff to the designers to showcase their wares and remind us that there is a light at the end of the tunnel.

Featuring leading designers, creatives, and modeling talent The House of iKons is planning for live events later in the year and into 2022 with their ever-popular show is leading the way for fashion elites and giving a voice to professionals from across the globe.

To learn more about The House of iKons or to get involved see:

House of iKons Website.

House of iKons Facebook.

House of iKons Instagram.

House of iKons Youtube.

House of iKons Twitter.

Creating The Lost Dog Detective Agency with Tedium Entertainment

With numerous shorts under their belt, the team at Tedium Entertainment is working on their latest crowdfunded project The Lost Dog Detective Agency, a sweet coming of age film that has caught attention and backers in short order. Founded in 2016 they have already made waves within the film community and this latest project has the hallmarks of a winner with a touch of social commentary.

“The Lost Dog Detective Agency is a coming-of-age tale of two 10 year old boys, Darion and Emmanuel, growing up on an estate in South West London.”

Bringing a film to fruition is hard work and with their body of films is growing constantly with plans in motion for more shorts, a feature film, and a TV series in the background, we look forward to not only seeing the results but interviewing the team about this film and talking about the details of funding, shooting, and creating work in the current market.

To learn more about The Lost Dog Agency project or to help with funding click here.

For further details on Tedium Films and their work see:

Tedium Entertainment Website.

Tedium Entertainment Instagram.

Tedium Entertainment Facebook.

Tedium Entertainment Twitter.

Showcasing Talent: Introducing vShowcards

What started as a dream and project on paper has become a force to be reckoned with in the casting world, vShowcards is fast becoming the place to be seen and has garnered attention from casting agents, directors, actors, and more as the team takes their passion for acting and all things media, and offers up a new portal for talent.  

Building on their own experiences as working actors, the team behind vShowcards has gone one step further than the average casting site and brings back the personal to the process with their social media presence on Twitter being part of the discussion, supporting, and promoting each other, whilst talking about their own frustrations within the business giving the whole thing a more family feeling, taking the isolation out being an actor and putting the emphasis on friendly support that is refreshing for talent and has in short order created a series of questions about their status in the market, a positive move that has taken them from outside the bubble to a companion and contender.  Talent is being seen in a new form and it is to vShowcards credit that they are building on the successes of the initial launch with a host of new elements to be revealed soon. 

Looking to reach out to creatives across the spectrum, vShowcards is the epitome of a new wave that has been steadily building across the film and TV realm as digital platforms become more common, the need for artists and creatives has increased with the traditional sources losing ground to newcomers like vShowcards whose dedication to their clients, focus, drive, and passion, has shown them to be open to new ideas and avenues with an eye for detail, the sites entire ethos is built on showcasing and supporting people versus collecting names.

There is a raft of digital production houses that are looking at the site and seeing the potential for productions built entirely with vShowcard people, an accomplishment that is new for many and shows the scope and talents of the people already in place.  

Leading the way and taking on the market with a fresh perspective vShowcards is more than just a casting and crew site, it is the future of the industry’s new wave and a force to be reckoned with.  

To learn more about vShowcards or to join see:

vShowcards Website.

vShowcards Twitter.

vShowcards Facebook.

vShowcards Instagram.

House of iKons February 2021 A Strategic Win For Fashion

In the current climate of uncertainty, it is truly gratifying to know that fashion is finding a way and carving a new path that will showcase talent, bring the world of iKonic design to not just their established audience but a wider and more diverse range of people thanks to the savvy collaborations of Savita Kaye and the new media partner Rising Fashion, which will see The House of iKons go multiplatform including Amazon and Youtube to name but two of the places you will be able to find the show in its current form as a digital platform for design and innovation.

House of iKons become an official Associate to the International Art Fashion Council and is now on Wiki Video as one of the Top Six Brands World Wide changing the face of fashion with its innovative diversity and range of creatives globally.

Taking a new and innovative stance on showcasing fashion, the savvy and respected House of iKons team has brought the intimacy of a show and added a more personal element of behind the scenes with the designers that is changing how we view the industry and opening the door to a more inclusive and certainly private aspect that was the preserve of documentary footage and rarely offered this level of access to the world of fashion.

With pre-production already in motion for shows into 2022, there is a definite sense that fashion is here to stay and that iKonic design will always find a way to showcase in a fashion film form that is innovative and has caught the attention and support of Girl Meets Brush, The Fashion Life Tour, Zarya Azadi.

With featured designers including:

1. Sigrun

2. Joan’s Bridal Couture

3. Simi Sandhu

4. Be Unique Be You

5. Model’s Wardrobe

6. N8 by Nathan Vandevelde

7. Yade Couture

8. Korn Taylor

9. G.Seven Feat Yildizstoffe

10. Inci Hakbilen

11. Ethinicroyals

12. Post Code Fashion

13. Eye on Fashion

14. Atelier by Khosh

15. Bahar Yasin Studios

16. Dis is Me Couture

17. a la Mode

18. Love Collection by Emily & Anna

19. Jugger Onate for Jil & Jug Dallas

Scheduled to be released across a wide range of platforms on the 27th of February The House of iKons is The Show of the season and its continued work in the arena of fashion has opened doors to a whole new world of talent.

To learn more about The House of iKons or to get involved see:

House of iKons Website.

House of iKons Facebook.

House of iKons Instagram.

House of iKons Youtube.

House of iKons Twitter.

Motivational Changes

With so many changes happening in the world of cinema, our predictions are starting to look more and more like a reality as people move toward digital platforms and the rise of the Indie film scene as smaller companies step to the plate and create films and TV projects that are specific to the likes of Prime and Amazon in general and of course our own personal favorite HOD TV.

Part of this for us has been about rethinking the websites and the content, we have made some small steps in this and will be taking our creative director’s portfolio site fully offline for a few days to reorganize and rebrand to fit upcoming projects.

While this is happening we did pull out some images that for us are a marker of what we are aiming to showcase and have a very commercial leaning that suits our style and future plans. What we have also been doing is talking to other small companies via Twitter, where we have been making a push toward support for Indie film of all stripes and will be publishing interviews with some fantastic small companies who have been talking about their pre-production work for their projects and how they are working within the guidelines. taking time to talk to distributors about what is out there for us as a team.

Naturally, for us, we are going to be looking at web TV first and foremost and have looked into various festivals and options to promote with our ultimate plan being commercially driven.

Film Festival Tie-ins

In the run-up to the festive season, we were talking to various small film festivals gathering information, and planning for the future. Naturally, this meant opening accounts with sites like Film Freeway and doing some in-depth checks and planning around our goals for the company. What this has led to will be announced soon with full details of how and where we will work. One of the festivals (in Eastern Europe) reached out to us and we are now talking in terms of being a media partner which we do love as a concept. Film and TV, particularly web TV, is something we as a team are keen to push forward with now more than ever.

This does not mean we will be abandoning our editorial work, far from it, we will work with magazines on a continuous basis as part of our marketing strategies but will not be the sole aspect of what we do. In fact, we have found a very interesting film crew based magazine that looks really promising in marketing terms so we will be writing inhouse articles to publish and take ad space later in the year.

Our plans are coming together well and there is some diversification in motion. More announcements and news will be released on the completion of the contracts. We are excited about the prospects of 2021 and look forward to showcasing the hard work that has already been done in the background.

A New Year A New Plan

In many respects, 2020 has been a lost year for a lot of people with the world changing dramatically. For us, it has opened up doors to a whole host of new potential avenues and given us a chance to reevaluate what we have been doing and look at how we can fit ourselves into the market long-term. To do this we have broken our work into key areas that will be public and those which will be kept private to the inhouse team.

In the public sense, we have two key areas we will be focusing on in the first quarter of the year:

Editorial and print: we have been putting this on the backburner in some respect taking time to look at locations, edit work already shot, slowly build up a series of images and work that will be released over the early part of 2021 with additional planned small shoots that will be a combination of artistic and commercial. *This will include product placement in behind the scenes imaging and video with brands such as Lord and Berry, Mykitco, and Brushwork Cosmetics to start. We are open to new potential brand partners for projects contact the team to discuss.

Film and TV: something that we have been doing since the start of Lost Creatives is supporting a range of festivals including Micromania and The Nepal Cultural and Film Centers' own festival. We do have plans to partner with a European festival and will reveal details on that soon.

Our initial goal is to work on 3 projects that will be shorts, designed specifically to go to festivals and as an opening gambit for our planned digital TV shoots in the horror/thriller market (for Which we have already spoken to several distributors and have options in place including the HOD TV route which is our number 1 choice).

In the coming months, our projects will be smaller in nature to help push forward and test the waters of the market and expand out. Our ties to South Asia (Including Nepal Film Production and our key actor contacts in India), will play a heavy part in our work as we are questioning how we will be able to work in Scotland and the UK in general.

Each of the current websites: JamesC mua. Lost Project and of course Lost Creatives will be receiving overhauls and updated images across the galleries, and the welcome pages, additional sites are being planned for our film/TV work to keep the Creatives solely about marketing and the background elements we have built.

Further updates will be released over the course of the month. We are really excited about our plans for 2021 and look forward to pushing the boundaries of our work.

Festive Thoughts From The Lost Creatives

Featured brand Lord and Berry (UK)

A slight departure from our normal scheduling but we wanted to get this post out before Christmas day and say a big thank you to all our supporters, the brands, and of course our readers as we share our final thoughts for 2020. From here we will be focusing heavily on the future and what will be happening for the team in the new year. We have been busy over the last few weeks setting in motion concepts, finalizing and in some cases reediting images for the various websites we run, there will also be a run of work that is designed specifically for editorial (we have some really fantastic magazines we have shot work for). We do want to look at the festival circuit, there will be an announcement of a new film festival media partnership in the new year, the goal of this will be to boost our video content and bring a little attention to talent. Naturally, these projects will be small crews/cast to keep the costs down and very much in the kitchen sink drama territory which will develop into other areas and our ultimate goal of tackling the horror/thriller market for TV, scripts are already earmarked for this.

One of our biggest supporters and our favorite writer, has offered us a development contract that will expand our portfolio to include video games for a variety of platforms which is an exciting prospect.

Our creative Director; JamesC, is working around different ideas and is editing, shooting, and managing our background work such as the brand placement and of course stock levels.

We will of course keep you all in the loop of changes and updates through the website and till then we want to, again, thank you for the support and wish you a Merry Christmas.

Advertising Plans

In the last few weeks, we have been quiet in terms of our advertising thanks in part to the ongoing work with PR agencies we do through The Lost Project. What this has meant is we do have a backlog of images to edit and products to test, some of this will be used as part of bigger ad campaigns for 2021.

While it might seem we are slow in updating our galleries, there is a reason for this and a strategic goal that will become clear in the next few weeks.

Our editorial shoots (ongoing) are being supported by a new men’s cosmetic line (to be revealed soon) and the fantastic team at Lord and Berry, we do have some new shoots planned and will be doing some macro work with glitter and possibly even a cover shoot.

We have specific magazines and styles we are working on and that takes time to complete more so with the restrictions in place in Scotland, it can be difficult to find the right models and locations without traveling too far from our base. Our head of makeup and creative director JamesC, is working on new projects and wants to do some flat lay images to bolster the galleries which we are hoping to have done before Christmas and our main push through FB started in the new year.

Our remote team members are all working hard with our favorite indie Bollywood actor developing his own projects for the future which we are in full support of and have started working on a website for him.

Something we are really excited about is that one of the magazines we are keen to be published with has taken away deadlines which will, in turn, allow us to do more work with male models and really experiment with concepts at a low cost and showcase the work in the best possible light.

We will be adding more stock soon from Lord and Berry, Mykitco, and our favorite Brushwork cosmetics with a view to creating a brand new cover image for the JamesC website, this will combine our beauty and TV work with some other elements cut in to bring a new depth to not only JamesC’s work but also to the Lost Creative portfolio.

With a series of creative plans to deliver on for the new year, we are putting a whole host of work being finished off The Lost Creative journey is gearing up for bigger things.

A. C. Salter Author

Describing himself as a dreamer, Adrian takes his imagination and lets it run creating an intricate, well-structured mix of urban and fantasy novels that have captured attention and audiences. His first seven novels are now widely available at leading bookstores and Amazon (Kindle and Kindle unlimited).

A former army sniper, his world view is unique and gives an added depth and dimension to what he does from his home in Dorset with his wife, children, a grumble of pugs, and a black cat.

Looking at the first of these books we see the Daughters of Chaos, a dark, dystopian fantasy of lies, half-truths, betrayal set on Earth with the potential danger of merging with a fantasy realm it is a pageturner of empowerment and intrigue that has opened the door to a host of new characters.

To learn more about Adrian or to subscribe to his mailing list see:

A. C. Salter Amazon.

A. C. Salter Mailing list

A.C. Salter Facebook.

A.C. Salter Twitter.

Nepal Film Festival News Featuring Allied FX

With the 2nd Annual Nepal Cultural International Film Festival streaming from December 1st to the 29th, it is really gratifying to know that the work is paying off and that the Allied FX team is on board to support this: Allied FX are amongst the most respected brands in the FX market and understand the difference that makeup can be in a film, especially for character work and stand tall with their portfolio of clients and body of work hitting the highest marks in International cinema and TV.

Combining these two elements of the Nepal film festival showcasing international talent in cinema with Allied FX is a huge coup and shows the creatives that are behind the films are respected, redefining boundaries and bringing a whole new level of artistry to Nepal is something that the festival organizers are passionate about with their training and Q and A Sessions designed to bring about a creative dialogue.

Taking a commercial and intellectual stance on the film sector this media partnership is going to change the game of many artists in the FX realm both pros and trainees allowing a greater dynamic of creativity.

To learn more about the Festival click here. For more information and details on the Allied FX range see the Allied FX Facebook page.