IC9: A Glimpse Into The World of Film Courtesy of vShowcards

The Lost Creatives team always appreciates when we are given insight and a little bit of the background to a project and as always vShowcards has been part and parcel of that by bringing to our attention the new police drama IC9.

Tackling the controversial and very contemporary issues of people trafficking and illegal immigration, the film looks at the personal as well as the professional from a police woman’s standpoint as she hunts for her sister and discovers a startling, dangerous truth about her own family coupled with the harrowing insight into the world the trafficked people find themselves in.

With a stellar team both in front and behind the camera including such leading actors as Georgia May Foote (coronation street) and Richie Campbell (Grace, liar, ITV) and of course vshowcards founder and all round actor of note Darren Tassell who has (with permission) given us access to the documentation and files for the project.

vShowcards works hard as a casting site and has also played a part bringing in such excellent talent as Richie Campbell, and Georgia May to peoples attention thanks to their savvy use of social media and contacts, each member of the team of course brings their unique talents to the table and add dimension to a nail biting script by Kyle Titteron and Gulshan Singh making this more than a film but a true showcase of talents.

With filming underway at the moment, stories and images are leaking out that show not just a cast and crew enjoying the work but adding to a film that is gathering attention not just from social media buzz but from interested parties looking to the project to see what is happening in the business including bloggers, journalists and potential viewers who are seeing snippets and images sneaking through, the anticipation for this film is rightly high.

IC9 is a large scale UK indie production that is a showcase of talent, ingenuity and intrigue. A truly welcome project that will hit the high notes and with the support of vShowcards and many others who are seeing the potential of cinematic projects and how it can be achieved with the right people backing you.

Naturally, we will be happy to support the ongoing work and cannot wait to see the final film, we will be talking to key team members about the project itself looking at the casting process, making of, and what the future is for the production team.

For more information on vShowcards and what they do see: The vShowcards Website and stay tuned to the blog for further updates on the project.

Talking Film, Scripts, and Starting a Business With The Champ Films.

We have been watching the indie scene for a long time and a name that pops up frequently when talking about scripts is Tom Reynolds (AKA The Champ Films) who has become a go-to for monologues, film scripts, and with plans now in motion to produce we wanted to talk to Tom about his background and motivations.

Can you tell us more about yourself and your background? 

Born and raised in Reading, Berkshire, I grew up obsessed with films & sport. I studied English Literature for 4 years and enjoyed writing my own stories & plays which were always great fun to perform. When the lockdowns started, I decided I would get back into writing and when I started, I couldn't stop. 

As someone who writes scripts of varying lengths and styles, what is your favorite genre in terms of creative potential? 

At this moment, it is definitely horror scripts. horror allows you to tell a story without necessarily being limited by facts or reality. if you can imagine it, you can write it in a horror film. having said that, where I am right now in terms of available budgets for films etc, I am limited to what I can actually write in order to keep the script realistic for Production. 

What is the plan for your business as you go forward: TV? Film? Commercial? Documentary work?

The plan is to focus entirely on Films right now. As of today, I have 10 feature film scripts completed and the goal is to produce projects one after the other in a conveyor belt style system. Each script is more ambitious than the last and the whole business plan is geared towards progression.

As we move further into 2021 what is your strategy and goal set for the coming months? 

The goal right now is to find other like-minded filmmakers to join the team in order to move into Production. Specifically, I'm on the lookout for an ambitious Producer to join the team. The industry has been hit hard over the last 18 months or so and I want to do whatever I can to help bring it back stronger than ever. By bringing in the right people to join the team, I'm hoping we can all work together to create good quality films with the sole goal of providing entertainment and a bit of escapism for the viewer. In addition, I am looking to gain investment and have launched an early crowdfund for my 1st feature film in order to build a pot as big as possible to cover all film-making costs including wages for all those involved.

What has been your biggest challenge to date as you build your business? 

So far, the biggest challenge has definitely been finding other like-minded people to join us.  This is completely understandable as obviously, I am new to the industry, and thanks to covid canceling all in-person festivals, I've not been able to meet like-minded people in person. Not knowing anyone in the industry or having any good contacts has also been a real challenge but hopefully, this will all change in time, particularly if I'm able to move my 1st script into Production. People will then realize this is a genuine venture and will hopefully want to be a part of what I am hoping to achieve.

What has been the best part of the journey so far?

Without a doubt, the best thing has been all the amazing people I have met so far through Social Media. The response I have received from the various networking tweets I have sent out has been really incredible. The Twitter entertainment community has welcomed us with open arms and we have made some awesome new connections. We have made contacts with so many incredible Actors and Actresses and have worked directly with some of these people to develop characters that have found their way into scripts that I have written. Indeed, some of these performers have even performed monologues which I have written, and that has been fantastic. This has helped raise our profile and has enabled some people to see the sort of writing I am looking to do. The feedback, both positive and negative that I have received from the Twitter community has been invaluable.

If someone wishes to donate to your debut film crowdfund, where can they go to donate?

We currently have 2 crowdfunds collecting donations for our first film:

Gofundme The Champ Films Campaign or here on buymeacoffee,

Thank you in advance to anyone who decides to help us out!

If people wish to keep up to date with what you are doing, where can they follow you on Social Media? 

Here are all of our current links,

Twitter.

The Champ Films Twitter.

Thee Tom Reynolds Twitter.

Savage The Film Twitter.

Instagram.

The Champ Films Instagram.

Thee Tom Reynolds Instagram.

Fundraisers.

The Champ Films Set up Gofundme Campaign.

BuyMeACoffee Link

Motivational Changes

With so many changes happening in the world of cinema, our predictions are starting to look more and more like a reality as people move toward digital platforms and the rise of the Indie film scene as smaller companies step to the plate and create films and TV projects that are specific to the likes of Prime and Amazon in general and of course our own personal favorite HOD TV.

Part of this for us has been about rethinking the websites and the content, we have made some small steps in this and will be taking our creative director’s portfolio site fully offline for a few days to reorganize and rebrand to fit upcoming projects.

While this is happening we did pull out some images that for us are a marker of what we are aiming to showcase and have a very commercial leaning that suits our style and future plans. What we have also been doing is talking to other small companies via Twitter, where we have been making a push toward support for Indie film of all stripes and will be publishing interviews with some fantastic small companies who have been talking about their pre-production work for their projects and how they are working within the guidelines. taking time to talk to distributors about what is out there for us as a team.

Naturally, for us, we are going to be looking at web TV first and foremost and have looked into various festivals and options to promote with our ultimate plan being commercially driven.

Film Festival Tie-ins

In the run-up to the festive season, we were talking to various small film festivals gathering information, and planning for the future. Naturally, this meant opening accounts with sites like Film Freeway and doing some in-depth checks and planning around our goals for the company. What this has led to will be announced soon with full details of how and where we will work. One of the festivals (in Eastern Europe) reached out to us and we are now talking in terms of being a media partner which we do love as a concept. Film and TV, particularly web TV, is something we as a team are keen to push forward with now more than ever.

This does not mean we will be abandoning our editorial work, far from it, we will work with magazines on a continuous basis as part of our marketing strategies but will not be the sole aspect of what we do. In fact, we have found a very interesting film crew based magazine that looks really promising in marketing terms so we will be writing inhouse articles to publish and take ad space later in the year.

Our plans are coming together well and there is some diversification in motion. More announcements and news will be released on the completion of the contracts. We are excited about the prospects of 2021 and look forward to showcasing the hard work that has already been done in the background.

The Changing Face of Cinema and TV

In the coming months, there will be some major changes to how we view film and TV with a massive shift in the production side, in conjunction with our partners at Nepal Film Production, we have been looking at the different elements we see changing and how you can logically, make the most of your budget and maximize the scope of your work using lower-cost locations and setups.

Naturally, as our partner, we looked closely at Nepal as a potential avenue for us to shoot when we are able to travel again. *Even allowing for travel, accommodation, visa’s, etc it is still a much more cost-effective prospect for us to work abroad than in our home base of the UK as we will get tax breaks and with the Lost team being more thriller/horror based in our plans we can use HOD TV distribution (Nepal also has this option available), we can tackle smaller budget projects with an exotic edge that really does appeal to our team aesthetically.

Taking logical steps toward the future here are the base reasons we work with the team and will be shooting on location in Nepal:

• Beautiful locations.

• Lower overall costs.

• A 24-hour service.

• The team can arrange any permits required.

The potential of Nepal is astronomical and more details can be found via their own blog by clicking here.

The rise of On Demand TV

With the current climate being so uncertain for the media business in terms of new productions, there is a little hope for those with projects already made or want to find something to watch during the quarantine. Like many, I love a good thriller or a nail-biting horror movie from a viewers perspective to being a member of the team, this is the right time to be thinking about those projects that are backlogged or just to find something to fill the days and nights.

Over time we have been working on some interesting projects (that we have put on hold temporarily) that we will release through HOD TV, the on-demand service tailored to the horror and thriller market, so much is the faith in the service that we signed up as a partner to the company allowing us to offer some support to indie filmmakers across the board.

As a film buff, you can watch a wide array of films from across the world and show some support for the indie film scene, but crucially for us, there is an opportunity here to open a door (admittedly a creaky, groaning door), there are many filmmakers out there looking for an outlet for their movie and its an easier sell to take on horror than any other genre.

So with the downtime we have, the team at lost creatives are making plans for the future and wanted to share this with our contacts out there in the film and TV world, there is a way to enjoy and sell your movies that will be beneficial long term through the HOD TV network.

To learn more about the HOD TV service as a viewer click here.

For submissions and to put your film or project in the horror and thriller genre to the team click here.

We want to wish all our readers the best at this difficult time and ask that you please be sensible and safe. The Lost Project will be continuing to talk about beauty and lifestyle so check the site out for something a little more fun about the makeup world to keep you entertained.

Westmore FX

Something that is often missed when talking about the Westmore’s as a brand (and a Hollywood family) is that they were also part of the FX revolution that for the film and TV industry has helped shape the film industry in particular character work in the horror and sci-fi genres.

Westmore Effects SilicONE Adhesive

Split into 8 distinct areas the Westmore FX range of glues, removers, and primers for FX work is a savvy and well-curated range designed to fit the needs of most situations:

1. SilicONE Adhesive

2. SilicONE Thinner

3. SilicONE Matte Adhesive

4. SilicONE Adhesive Spray

5. DEUX Adhesive

6. SilicONE Remover

7. PrimeONE Surface Prep

8. NEXUS Bond Enhancer

Developed alongside the Westmore Families’ own work in the industry, these are the products that have become staples of the smart FX artists working kit and are recognized for their pro-grade and homegrown industry credentials. Independently owned, the range is a standout in the profession with a heritage that goes back over a century making it not only a legacy brand in its own right but a must for those specialists who want a tried and tested range that will stand up to the rigors of the professional arenas of film and TV FX work.

With the pus points of being a vegan, USA made and cruelty-free the Westmore FX range is one of those professional ranges that is designed, manufactured and tested within the industry to the highest standards.

To learn more about the range or to find a stockist see:

Westmore FX website.

Westmore FX Instagram.

Westmore FX Facebook.

Westmore FX Twitter.

Nepal Film Production and HOD TV

In what will be a game-changer for the team at Nepal film production, we are very happy to announce our exclusive partnership with HOD TV, a digital distributor of horror and thriller films.  This deal will open doors to new potential commercial avenues for the industry in Nepal and wider, giving not only our own in-country talent a platform for their films but also offers an extra incentive to shoot in our beautiful country.

As a partner we have access to the parameters for projects in the thriller and horror genres to potentially be sold to a global audience, a major advantage for filmmakers across South Asia and worldwide making Nepal the new home of horror. 

For filmmakers, this means they can find a one-stop-shop for all their needs with our access to the best production staff and equipment with the added draw of a platform to sell your horror/thriller film.  Nepal is one of the most beautiful countries in the world with talent coming from every corner of the globe to work here on documentary films, commercials and more, so for us to be able to offer this additional aspect of support to filmmakers and take the stress out of making a horror/thriller and giving you more room to work on the story and visuals.

To learn more about HOD TV and the requirements for distribution email a member of our team. 

Flexible Planning Strategies

We are as a team pushing forward with the creative plans to update all our websites and with the upcoming relaunch of the JamesC site, it is going to be interesting to move into 2020. With so many new and exciting options being brought into play, not just with our UK clients but our partners and affiliates in South Asia (particularly Kathmandu and Mumbai).

It is our intention to start working on new, flexible strategies for the new year, something we have always maintained from the beginning has been we need to be flexible and open to new options and look at the possibilities, hence the revamping and reopening of our creative directors artist site and plans to bring in a set of new projects that will be used as showcase work for the team.

At the moment we have a digital marketing specialist looking at our sites and will be working on a strategic marketing campaign that will push the Lost Concept harder than our current organically built following.

Our lightbulb moment and planning come in place thanks to our friends and supporters including the fantastic owner of World Fashion media news and of course the author and scriptwriter Susan Ronnie Marshall, who have both been instrumental in the promotion of our latest articles.

Naturally, we will be working to set briefs for our initial commercial projects in line with the partnership with HOD TV (submission details and parameters on request).

We intend to continue down the path we are on and look forward to all this brings.

TV Scripts and Other Plans

The last week has been really interesting from a purely momentum stance. We have secured additional support in the form of the Nepal Film Production team and have started looking at some of the scripts we have had sitting in waiting. Two real standouts have been picked and the first is now under review (by outside parties) with the second being looked at by the in-house team for potential future work.

In the short term, we are working on some of the smaller elements such as editorial and we will now be doing some character concept work (wounds, bruising, etc) to showcase our work and that of the team.

One of our favorite actors, who is currently in negotiations with Lost creatives to be an actor/director on our first TV series in 2020 with the option to join for the second project.

In the coming months, we will be working even closer to our overseas contacts with a view to taking the work to a different level.

On a side note to all this, we are really happy to be working on something special with the HOD TV team that will give a foothold in new territory. More on this later.

Nepal Film Production Partnership

Nepal Film Production

Our creative director and founder JamesC has done his time across the globe working in Europe, across the UK and of course a 2-year stint in India, so it was a natural progression to deal with Nepal and this new partnership with Nepal Film Production is an absolute joy to announce.

One of the most unique and beautiful countries in the world, Nepal is the jewel in the crown of South Asia and is considered a hub for creativity, tourism, and spirituality that has no parallel anywhere in the world.

We are familiar with the managing director Digbijaya Bharati who’s connections and business skills are widely known and respected throughout Kathmandu (Nepal). His attention to detail, malicious business sense and ability to spot trends have put him in a unique position of authority in the media industry.

With Lost Creatives and Lost Project (by extension makeup artist and creative director JamesC) all joining forces making us the UK partner to the Nepal Film Production team with more options being discussed and contracts being drawn up it is the start of our existing business relationship that will see us make changes alongside Digbijaya Bharati and his team across 2020 and beyond affecting not just how the Lost concept moves but the Nepal film production team works as well.

Having built a solid reputation for their professionalism in media including previous work as location fixers and production managers for companies working documentary, drama and a huge array of film and TV projects from across the world including the USA and mainland Europe.

More announcements on this partnership will be coming soon. If you want to learn more about the potential of Nepal for film and TV production see:

Nepal Film Production Website.

How We Plan To Move Forward Creatively

There have been some really interesting changes and updates in the background of our work that from a creative perspective have been good and bad. Our creative journey is really getting interesting and as we have a very definitive idea of what we want we have had to put somethings on the back burner to allow us the space to focus on the grander scheme.

We were approached by a New York agency that wanted to take our creative director on their books for development, a huge compliment, but not really a fit for what is planned for the Lost Project and Lost Creatives at the moment but we will look at this in the future.

From this, it becomes clear to us how we want to move forward and we are planning accordingly. As we have outlined previously there is to be a studio shoot, some location work and we are waiting for feedback from a film festival about working together as a form of a PR support network which is fantastic.

Our goals have been getting worked on for a few years and now we have started the ball rolling toward what will be a long term plan with some smaller short term projects in between to bolster the narrative. The dream won’t come true unless we work for it.

With some longstanding inspiration behind our plan (we will be revealing details in the new year), and careful research and experience backing our goals it is really about creating the narrative that we want to see in motion.

It is worth noting we are giving serious consideration to relocating the business as well, we can see from demographics across our sites where the support is coming from and who is conspicuously absent and will adjust our plans accordingly so watch this space.

Creating a Narrative

When I talk about creating a narrative what I mean is keeping the story linear. Each aspect of what the Lost Concept is has to fit smoothly with the other elements and gel. From the language, I use in The Lost Stories to the way I talk to a potential or existing client.

As the founder and creative director of the Lost Project and Lost Creatives, I do spend my time on the background work and fitting the pieces together. With shoots planned and brand campaign articles to write for PR agents its a matter of juggling my time to fit in what is feasible in a day.

Checking the stats on both our websites, we can see a real global reach to the Lost Project and the start of something similar to the Lost Creatives that is really gratifying given the short amount of time we have been working on this.

Seeing a pattern to the stats is giving us the team a more concrete sense of what we need to do and how to focus our energy on moving forward from a business and geographical stance.

We really are grateful to our audience and will be working on showcasing the other elements of the business very soon, we are looking at relocating and equipment, adding new stock for shoots and so much more is planned much of which will be put in motion in 2020.

The Lost Concept is growing and we cannot be prouder and will be increasing our marketing over the next few months to make the whole package even bigger.

A meeting With Style

We are pushing forward with plans and setting things in motion that will become clear in the next few months for the creative side of our business. In what was part catch up and part brainstorming session, I met with two of my favorite wardrobe people: Shona Boudica Blair and Amber Richards, to talk clothes for some of our marketing shoots.

With two distinct areas of expertise I wanted to pick their brains on, Shona who is known for her reenactment and historical costuming and Amber (currently studying fashion manufacture and retail) who came to the table with the more current and fashion-led options, it was a fun little catch up that led to me leaving with a beautiful 3 piece suit that will be split up to create two different and distinct looks thanks to the input of the girls during our little meeting.

Aside from being a fun time to catch up and discuss our individual progress, it also allowed me to run ideas past them concerning future plans such as collections and our TV plans for 2020.

The Lost Creatives is pushing forward into new areas of business and with the support of the various talented people in our address book, such as our fantastic wardrobe mistresses Shona and Amber, we are able to pull resources and access different areas of expertise that will benefit the projects either by consultation in our meetings with style or through direct action on film/TV/print projects.

In what we are pushing to become a regular thing, we will be calling these get-togethers “a meeting with style.”

The Lost Creatives continue to be a priority for The Lost Team and we are really excited about the future.

Putting A Value On Assisting And Earning Your Craft

Being an assistant can be a big game-changer for your career and allow you to learn new skills, meet new people in the business and if you're smart about it you will gain more work and credits.

“Being an Assistant is not a negative thing.”

many people think that once they have a certificate they can walk onto a photoshoot, a film set or into the backstage area of a fashion event and immediately become the supervisor. Sadly that isn’t the case. Like any job you need to learn the ropes and there are multiple ways to do this but the best and most sensible is observing and assisting, you get all the advantages of being involved without the responsibility of being in charge.

Something I hear all the time is people feeling disappointed that the job (makeup artist, creative director, camera tech etc) is not what they expected or as glamorous as they thought, the reality of early mornings, late nights and dull corporate gigs can be mundane but pay well. Its, not all glitz and glamour, its called business for a reason, bear that in mind when you start touting for work.

The right people to deal with have done their time as a trainee (myself included) and know that what you learn in college is important but there is more to the job than what you learn in a class so you have to come in with an open mind, and be a team player.

It is not a denigration of your work that you are an assistant it can be a really smart move, especially when dealing in the film and TV realm.

If you are working, being paid and doing the job you are passionate about that is the important part. use it as a chance to learn a new skill or add to your CV. It’s better to get a credit as an assistant on a shoot be it film, TV, editorial or event than not get any credit at all. It shows you are proactive in your work and can be a part of a team.

No matter your age or status being an assistant can open new doors, create opportunities and if you're smart, look at the situation and put a value on what you are being offered and use it as a chance to advance your own work.

All We have is Now

When I was asked about the motivation behind The Lost Creatives, my answer was simple. All we have is now. Over the last few years, we have seen a dramatic change in the industry both from an observational standpoint and as a hands-on member of crews for film projects.

Not all have been good experiences and made me realize that the only way that would change is if I did something to rectify it and move forward.

Professionally I see my work and that of the Lost Creatives taking a more film and TV-based route geared toward something solid that can be sold, creating projects from a commercial stance may seem against the grain for some but that does not stop the artistic process contrary to the myth you can be artistic and commercial.

It is not easy to build something solid and takes time, earning credentials and getting started is a scary process but for me, that is half the fun.

Taking the stance that “all we have is now,” I plan to keep moving forward and taking creative and personal risks in business whilst supporting the arts. Each step we make will be a triumph and give more fuel to the business.

*We will give consideration to taking a team to an off-schedule London show during fashion week if we can work the marketing to suit.

Progressing forward we are now looking at additional script ideas for festival projects and editorial concepts that we will use as promotional material over the coming months and then in the new year (watch out for this one) our big marketing push. Creating a new narrative is what we are about.

The expansion will be over time and give us a more solid base to work from with a range of placements coming up which will be designed to give professional experience in the media and fashion arena.

Laying The Groundwork of The Lost Creatives

The Lost creatives site is being built around the idea of the cast and crew of future projects, we are talking to potential festivals to tie up with on the cross-promotional front and looking at what will be a series of films built around this from a few minutes to an 8 part TV series and of course ultimately, a feature film.

With the Lost Project, we have been doing a lot of groundwork and have successfully created a respected beauty blog with PR agencies and brands across the globe come to us for support and product placement, etc. Which we will continue to do.

For the remainder of 2019, we will be focused on smaller photographic shoots, looking at creating a series of editorials and character-based projects from a single image to a series for print and online magazines to help with pushing the Lost Creative narrative. This may include some behind the shoot films and creation of fashion films with either a youtube or Vimeo channel added to the Lost Creatives stable to showcase behind the camera moments.

Naturally, our primary focus is the be thriller and horror, over the course of years we have seen how much easier it is to sell this type of project and we also have ties to two fantastic independent distributors we will work with on this and are more than happy to have in our arsenal for the future.

Stay tuned for more news and updates.

Starting a New Journey

We are firm believers in the idea of a journey beginning with a single step. At this time we are building up a database of different magazines and projects that will be worked through in a two-fold fashion:

Magazines (particularly online) will be used to promote not only The Lost concept but the team behind the shoot. With a focus on a more character and a dramatic feel touching on naturalism, *the insta/social media makeup style doesn’t appeal to us.

Film and TV, we do have one project earmarked (more details on this later) with a writer from Iran who has been fantastic about supporting the concept and has agreed to be a part of what we are doing. We are negotiating terms to pick up the first of what we hope to be a series of projects starting in 2020.

The Lost Project continues to grow and we are really excited about the prospects of this new avenue of The Lost Creatives which will allow us to work a different side of the business and keep to some degree our artistic roots at its core while opening up commercial avenues that we will explore over time.

We do try to think about our work as commercial with an artistic edge allowing us to create and gives a distinct and soon to be an identifiable edge to our work that will become synonymous with The Lost Concept.

Marketing The Lost Creatives with Web Magazines

Something we are really keen on is marketing as low cost as possible but with a maximum push. I know this might sound odd but it is possible and we are working on a few different strategies that will help that.

Featured Product: Brushwork Cosmetics (promo code Jamesc 10% off your order)

To begin with, we have given serious thought to festival entry films (short) and of course editorial work. Naturally as a makeup artist myself and the creative director of The Lost Project, principally an arts and lifestyle blog with a heavy hand toward beauty because it’s my passion, it’s actually quite enjoyable to think of the terms we need to address and how we can make this work in our favor.

Keeping the costs to a minimum to begin we are looking at magazines that allow minimal submissions (for example 1 plus images) that will allow us to push all the social accounts of those involved. There are some great options and of course, will produce something for the World Fashion Media News website who we have a long-standing relationship that will continue.

Editorial is a fantastic method and can with planning and a little effort, give a wider audience reach that will bring attention to the work we are doing and of course what we are planning.

Naturally, we will make full use of the contacts and resources we have built over time and as we always do share and talk about the different brands we are supported by through careful and strategic placement of products to help not only ourselves but the brands as a thank for sticking with us.

Our goal is to push The Lost Concept as hard as possible and of course, create a cohesive, commercial story that illustrates what we do.

Welcome To The Lost Creatives

Welcome To The Lost Creatives, this site was set up as an expansion and sister site to The Lost Project founded by creative director and makeup artist James Clark. our plan is to create new work on a monthly basis for marketing and of course bring a sense of business to the creative arts. Our plans include:

• Editorial and advertorial for both print and online.

• short and feature film projects.

• TV projects.

The blog will showcase behind the scenes on our projects and what goes into a shoot alongside cast and/or crew calls from makeup assistants to actors and models, we will be working with the best talent for the job and giving new artists a chance to work as part of a larger team.

Combining the different elements of a long career in makeup with the various different skills honed over that time, the lost concept will be the a way to showcase and create projects that will be entertaining, thought provoking and commercial.

Stay tuned for more updates and exclusive behind the scenes stills and video’s from our shoots.

*We will be launching our galleries soon with a range of both stills and video from behind the scenes on our shoots.