Cut Frame Magazine

Designed to be a showcase platform for talent, from emerging to the established, Cut Frame Magazine has been making waves in the arts for its frontline look at the industry and passion for showcasing voices that might otherwise be missed. 

A creative hub that talks to the different people involved in creating the music we love, the theatre we watch, and the film and TV projects we enjoy, Cut Frame has become a go-to for the creative talent sphere that is rapidly gaining eyes outside the industry for its open dialogue approach and easy form. 

Insights from talent are something that frequently gets overlooked especially from the crew, what this magazine offers is them the chance to speak and show the reality of being part of an industry that spans the globe.  

Standing out in the market, Cut Frame has been instrumental in opening up a dialogue with filmmakers and actors who are telling the world about their journey, looking at the films that captivate us, and reviewing them with the critical eye of the talent behind the camera.  

With plans in motion to expand the platform with membership options that will open up further stories that are industry-related and give a more comprehensive and in-depth focus to their work, alongside a podcast culminating an end goal of going beyond the current boundaries and opening up the world to the potential of the creative fields. 

In an industry that relies on networking, marketing, and of course contacts, Cut Frame offers professional insight into that world and gives valuable advice and support to the creative networks out there, and shows us that we are not alone, the industry is there to support you.  

To learn more about Cut Frame, support, or get involved see:

Cut Frame Magazine.

Cut Frame Instagram.

Cut Frame Twitter.

Cut Frame Linkedin.

Support the magazine and its writers via:

Cut Frame Paypal.

Cut Frame Buy me a coffee.

Festive Thoughts From The Lost Creatives

Featured brand Lord and Berry (UK)

A slight departure from our normal scheduling but we wanted to get this post out before Christmas day and say a big thank you to all our supporters, the brands, and of course our readers as we share our final thoughts for 2020. From here we will be focusing heavily on the future and what will be happening for the team in the new year. We have been busy over the last few weeks setting in motion concepts, finalizing and in some cases reediting images for the various websites we run, there will also be a run of work that is designed specifically for editorial (we have some really fantastic magazines we have shot work for). We do want to look at the festival circuit, there will be an announcement of a new film festival media partnership in the new year, the goal of this will be to boost our video content and bring a little attention to talent. Naturally, these projects will be small crews/cast to keep the costs down and very much in the kitchen sink drama territory which will develop into other areas and our ultimate goal of tackling the horror/thriller market for TV, scripts are already earmarked for this.

One of our biggest supporters and our favorite writer, has offered us a development contract that will expand our portfolio to include video games for a variety of platforms which is an exciting prospect.

Our creative Director; JamesC, is working around different ideas and is editing, shooting, and managing our background work such as the brand placement and of course stock levels.

We will of course keep you all in the loop of changes and updates through the website and till then we want to, again, thank you for the support and wish you a Merry Christmas.

Advancing Our Cinema Plans

While we appreciate that the world is changing it is interesting that in the last few weeks we have had people reaching out for collaborations and partnerships that will open the door to cinema as well as a wide array of other digital and satellite platforms on a global scale.

From a purely creative stance, this opens up additional doors that along with our partners in Nepal (the Nepal film production team), we now have avenues and opportunities for the future of our company and in line with our expansion plans that are currently in motion. This partnership process will also allow us to work around different genres and push new boundaries in our cinematic plans and keep to our commercial routes.

In the next week, we will be sitting down to do the varied Google meetings, Whatsapp and a few Facebook calls that need to be done to clarify and solidify the options we have which is an exciting prospect and will offer an even wider array of possibilities that we can work with.

Advancing The Lost Creatives and the Lost Concept overall has been something that we have built from the ground up and we are really proud of what we have achieved with the support of various brands, actors, artists, and companies across Europe, the USA, most importantly with our partners in Nepal.

The Show Must Go On With The House of iKons 2020

Johny Pach and Savita Kaye

With so many changes in the world at large, it is gratifying to see that The House of iKons has found a way to continue their creative vision of supporting talent in the realms of fashion. While fashions weeks across the globe are on hold and catwalks are postponed Savita Kaye and her team has decided that the show must go on and the talents must be seen and that is taking the form of a digital showcase.

The House of iKons started as a means to bring new and emerging talent into the world of fashion, London being the heart of fashion week and the iKons show has become a staple of this with the kind of global coverage that is so in-demand.

From the backstage crew to the designers themselves, the opportunities that The House of iKons has created are above and beyond expectations and has seen the show rise not only in local terms but globally featuring designers from every corner of the globe.

Established and new designers, makeup staff, backstage crew, and press flock to The iKons Show to be seen and to learn, which makes it even more important that that the team has found a way to showcase with a digital platform:

“The business of fashion is thriving and The House of iKons is a star attraction in that space with innovative designers and a catwalk that has become a worldwide phenomenon and talking point with good reason.”

Launching the digital show on September 19th the list of designers, brands, and speakers, such as the talented Johny Pach, The House of iKons is fast becoming the new benchmark for independent fashion events across the world.

To learn more about the show, or to discuss sponsorships, showcasing your designs, or getting involved see:

House of iKons Website.

House of iKons Facebook.

House of iKons Instagram.

House of iKons Twitter.

House of iKons Youtube.

Sideshow IPA Palettes by The AFX Company

The Allied FX company is widely known for their professional-grade IPA (Isopropyl alcohol activated) palettes under the name Bluebird FX and their latest addition to the family: Sideshow, an affordable, quirky, high-grade palette that since its launch in February has in short order become a go-to for makeup artists across the spectrum of the creative fields.

“With a clever mix of old favorites and brand new colors, the sideshow palettes are stealing the show for their cost-effective quirkiness. “

Currently, a range consisting of 7 palettes (with other elements being added soon) each with its own unique color set and vintage style cover image, the palettes are designed carefully to suit a particular requirement and has the savvy of a team who are working artists themselves looking to make not just their jobs a little simpler but also a little more fun, beyond the quirks you can see what is a genius move for the Allied FX Company, opening the door to a whole host of new clients from students to professionals the Festival range is perfect for those working in the low to mid-range budgets of film and TV (with the increasing use of internet services such as HOD TV, Amazon Prime, Netflix, and Streamlette, this will be a welcome addition to a makeup kit) and carries over the larger, high scale budget productions, a professional palette that transcends its price range of $59.10 in Australia (in the UK £36) and puts a whole new slant on character work and development.

• Body art: designed for body art and tattoo creation.

• Bruiser: a unique and carefully structured palette suited to its name, bruising.

• Dark Ride: a series of day glow shades that come to life under blue light.

• Dead-Alive: Perfect for zombies and illness, the death pallor look of haunted houses and Halloween.

• Gore: for the creation of scratches, cuts, and wound filling a box of tricks that is worthy of note.

• Gothic: aethereal and suited to those deeper, more cool tones looks (think vampire).

• Rouge: designed for breaking down and creating crusty characters and drunks.

For us at the lost creatives, yes we can see a use for the whole set but standing tall in this are 2 in particular that we are adding to our working kit via creative director and head of makeup JamesC, to match the work and styles of shoots we have planned for TV and print: Bruiser and Gore, which will be perfect additions to our work and will see multiple uses with the possibilities of this range being endless and others coming into play with projects in development (early stages of scripting).

In what is a market-led move, the Allied FX Lab are tackling and offering up quality products at a lower price point without compromise, the AFX company are amongst an elite of the profession and are pushing the boundaries of the makeup world giving us what we need to create the most realistic (and surreal when required) and putting the prosumer at the heart of their thinking.

The Festival range fits perfectly with a wide array of requirements and situations including:

• Students.

• Film and TV production professionals.

• Haunted House.

• Halloween artists.

• Cosplay.

To learn more about the range or to purchase see:

The Allied FX company website.

The Allied FX company Instagram.

The Allied FX company Facebook.

Creative The Narrative

We are working in the background and will be showcasing new work soon through all 3 of our sites and talking about the creative process in more detail along with the logic behind what we did and how we did it. At the moment we are working on some site updates which will come into play across our sites. At this time we have some editorials in the edit suite with others in motion for publication alongside text articles that will be available through World Fashion Media News upcoming print magazine (which we are truly grateful to be a part of).

Our creative director JamesC, is working with a few brands on product testing (subject to non-disclosure agreements) which is an exciting prospect for our work collectively and announcements on longterm partnerships will be made as and when they are completed.

Understand that while we are quiet we do have a lot happening and cannot wait to showcase the new work and our refreshed sites and we are working to create new partnerships for future projects.

Editorial content will be playing a big part of our upcoming work with JamesC leading the charge on this and plans to completely change the layout and look of his site including an opening video for the site which we are designing the overall look for at the moment.

Focus is on publication and as previously mentioned, World Fashion Media News having a new print version coming soon, we will be working on editorials exclusive to them with an emphasis on clean beauty and male grooming.

Our list of magazines is growing and thankfully the terms are clearly laid out which means we can focus on the artistic over the corporate first with marketing taking a very close second.

Motivated and pushing forward The Lost Creative team is working hard and dreaming big.