business development

Interviewing Andreas Samuelson Director of Housewife Alien Vs Gay Zombie

In what is a tour d force of fun and a prime example of low budget done right for the horror/comedy market, we wanted to talk to the creative mind behind the film Andreas Samuelson whos tongue in cheek Housewife Alien Vs Gay Zombie is a heady mix of thrills, chills and cheap laughs that is worthy of praise.

What was the motivation behind making Housewife Alien Vs Gay Zombie? 

I wanted to make a movie but didn’t have a budget so figured the best film to make without money was a bad one. So the concept of spoofing bad movies, specifically B-horror, was born. I also wanted to offer a horror-comedy for the LGBTQ audience, and a kind of gender-swapped exploitation film where the women kick ass and the men are sex objects.

Did you face any major challenges in making this and how did you overcome them? 

Working with a low or no budget is always a challenge. You have to do 15 people’s jobs at the same time and really pull magic tricks when it comes to assembling cast, crew, makeup, special effects, costume, etc. I was very lucky to meet and gather amazing people who contributed not only with time and talent but their own gear and resources.

Are you planning more films in the future and if so will you be using the same team? 

I would love to. Me and my editor/cinematographer, Rickard, have been talking about maybe making a sequel. I’m also writing on other stuff. It’s all about opportunities. Producers and financiers are hard to find… But I have too many ideas to not make something more before I eventually kick the bucket.

What does the future hold for you as a director/producer? 

Networking and finding new people to collaborate with. Aim for more serious projects outside the horror parody genre.

Do you have any advice for people looking to make their first film or TV project? 

Aim small. I went a little overboard with a lot of different locations, actors, and special effects. Even the simplest film takes a long time to make and a lot of things don’t turn out as you plan them. So a lot of time and patience. And good, loyal people you rely on.

Who is the source of your filmmaking inspiration? 

For this particular film, I was very inspired by John Waters, both his earlier work and cult movies like “Serial Mom”. Low-budget horror studio Troma was also an inspiration as well as the humor from “Airplane” and “Naked Gun”.

To watch the trailer or purchase the film see:

Housewife Alien Vs Gay Zombie Youtube.

Housewife Alien Vs Gay Zombie Amazon.

Housewife Alien Vs Gay Zombie Vimeo.

Housewife Alien Vs Gay Zombie Facebook.

Restructuring The Lost

Restructuring The Lost

With our two blogs (Lost Creatives on the professional side and Lost Project on the consumer), our creative director JamesC, and a new site in the wings, the overall concept of The Lost as we started it has grown in the last 2 years into a much bigger and much more refined business that while it was our plan, is still surprising how things have changed for the better. In the next few weeks, we will be adding heavily to the various galleries we have of our work and making amendments to the overall layout and general themes of our work to better fit what we feel in the direction we are heading in. What this means is we will be changing a few of the frequently asked questions, designated accounts, and announcing the longer-term plans and goals of how we will progress in business terms including that of our base location.

*We did consider an office but in the current climate that seems like a redundant step that would be overly complicated and serve no purpose for what is coming into play.

Admittedly many of the changes will be small and have a minimal effect on the business there is something larger that will be taking public soon that focuses heavily on the vision of founder, creative director, and head of makeup JamesC, who has led the charge on the basis of “be the change you want to see.” Creating The Lost and carefully selecting who we work with, researching and planning, taking additional training as and when required, he has taken the lead on the business and we do want to offer a nod to the Nepal Film Production team who have offered up several opportunities and been a huge supporter of the work we are doing.

In an industry that is evolving and changing we fully intend to make the most of the digital landscape in whatever format we can and we are taking steps to ensure that our work is seen in the best possible light with more updates on this coming soon we are really excited about the future of The Lost.

The Show Must Go On With The House of iKons 2020

With so many changes in the world at large, it is gratifying to see that The House of iKons has found a way to continue their creative vision of supporting talent in the realms of fashion. While fashions weeks across the globe are on hold and catwalks are postponed Savita Kaye and her team has decided that the show must go on and the talents must be seen and that is taking the form of a digital showcase.

The House of iKons started as a means to bring new and emerging talent into the world of fashion, London being the heart of fashion week and the iKons show has become a staple of this with the kind of global coverage that is so in-demand.

From the backstage crew to the designers themselves, the opportunities that The House of iKons has created are above and beyond expectations and has seen the show rise not only in local terms but globally featuring designers from every corner of the globe.

Established and new designers, makeup staff, backstage crew, and press flock to The iKons Show to be seen and to learn, which makes it even more important that that the team has found a way to showcase with a digital platform:

“The business of fashion is thriving and The House of iKons is a star attraction in that space with innovative designers and a catwalk that has become a worldwide phenomenon and talking point with good reason.”

Launching the digital show on September 19th the list of designers, brands, and speakers, such as the talented Johny Pach, The House of iKons is fast becoming the new benchmark for independent fashion events across the world.

To learn more about the show, or to discuss sponsorships, showcasing your designs, or getting involved see:

House of iKons Website.

House of iKons Facebook.

House of iKons Instagram.

House of iKons Twitter.

House of iKons Youtube.

Source: https://www.houseofikons.com/

Sideshow IPA Palettes by The AFX Company

Sideshow Family

The Allied FX company is widely known for their professional-grade IPA (Isopropyl alcohol activated) palettes under the name Bluebird FX and their latest addition to the family: Sideshow, an affordable, quirky, high-grade palette that since its launch in February has in short order become a go-to for makeup artists across the spectrum of the creative fields.

“With a clever mix of old favorites and brand new colors, the sideshow palettes are stealing the show for their cost-effective quirkiness. “

Currently, a range consisting of 7 palettes (with other elements being added soon) each with its own unique color set and vintage style cover image, the palettes are designed carefully to suit a particular requirement and has the savvy of a team who are working artists themselves looking to make not just their jobs a little simpler but also a little more fun, beyond the quirks you can see what is a genius move for the Allied FX Company, opening the door to a whole host of new clients from students to professionals the Festival range is perfect for those working in the low to mid-range budgets of film and TV (with the increasing use of internet services such as HOD TV, Amazon Prime, Netflix, and Streamlette, this will be a welcome addition to a makeup kit) and carries over the larger, high scale budget productions, a professional palette that transcends its price range of $59.10 in Australia (in the UK £36) and puts a whole new slant on character work and development.

  • Body art: designed for body art and tattoo creation.

  • Bruiser: a unique and carefully structured palette suited to its name, bruising.

  • Dark Ride: a series of day glow shades that come to life under blue light.

  • Dead-Alive: Perfect for zombies and illness, the death pallor look of haunted houses and Halloween.

  • Gore: for the creation of scratches, cuts, and wound filling a box of tricks that is worthy of note.

  • Gothic: aethereal and suited to those deeper, more cool tones looks (think vampire).

  • Rouge: designed for breaking down and creating crusty characters and drunks.

For us at the lost creatives, yes we can see a use for the whole set but standing tall in this are 2 in particular that we are adding to our working kit via creative director and head of makeup JamesC, to match the work and styles of shoots we have planned for TV and print: Bruiser and Gore, which will be perfect additions to our work and will see multiple uses with the possibilities of this range being endless and others coming into play with projects in development (early stages of scripting).

In what is a market-led move, the Allied FX Lab are tackling and offering up quality products at a lower price point without compromise, the AFX company are amongst an elite of the profession and are pushing the boundaries of the makeup world giving us what we need to create the most realistic (and surreal when required) and putting the prosumer at the heart of their thinking.

The Festival range fits perfectly with a wide array of requirements and situations including:

  • Students.

  • Film and TV production professionals.

  • Haunted House.

  • Halloween artists.

  • Cosplay.

To learn more about the range or to purchase see:

The Allied FX company website.

The Allied FX company Instagram.

The Allied FX company Facebook.

Lord and Berry Touch Up Blotting Powder

lord and berry touch up powder

When it comes to makeup for fashion Lord and Berry has set a benchmark that is hard to beat, the range is a staple of various fashion weeks and additions like the Lord and Berry Touch Up Blotting Powder add not only to a professional backstage kit for LFW but to that of the working artist such as our creative director JamesC whose eye for commercial detail is drawn to the brand for its credentials, quality, and an array of savvy products designed for fashion and available to the world.

From a purely practical stance, JamesC prefers pressed powders for their convenience: you can slip them easily into a working kit box/bag, they take up less space, and in the form of the Lord and Berry touch up powders they offer a simplistic solution to minimizing your kit without losing quality. The 3 shades are ideal for a working artist kit and offer a multifaceted and cross-gender solution to finishing a look for print or video.

  • TRANSLUCENT: it is a white-toned powder meant for just about every skin tone because it turns invisible when applied to the skin.

  • BANANA: it is a yellow-toned powder which works its magic to offset any redness, illuminate the skin, neutralizes dark under-eye circles, and set makeup – and the best part is that it works on any skin tone.

  • JUST PEACH: it is a peach-toned powder designed to give brightness to a dull complexion, to neutralize blue tones and set makeup. It works on any skin tone.

On a purely practical stance, these 3 powders have been tested at various fashion weeks making them perfect for a downsized kit and suitable for a working professional who needs quick solutions to on shoot problems. *Well worth noting that a pro discount is available making this an even more appealing brand for the professional arena including those in bridal, film, TV, and fashion (from live events to print).

To learn more about the range see:

Lord and Berry Website.

Lord and Berry Instagram.

Lord and Berry Facebook.

Lord and Berry Twitter.

Creative The Narrative

Creative Potential

We are working in the background and will be showcasing new work soon through all 3 of our sites and talking about the creative process in more detail along with the logic behind what we did and how we did it. At the moment we are working on some site updates which will come into play across our sites. At this time we have some editorials in the edit suite with others in motion for publication alongside text articles that will be available through World Fashion Media News upcoming print magazine (which we are truly grateful to be a part of).

Our creative director JamesC, is working with a few brands on product testing (subject to non-disclosure agreements) which is an exciting prospect for our work collectively and announcements on longterm partnerships will be made as and when they are completed.

Understand that while we are quiet we do have a lot happening and cannot wait to showcase the new work and our refreshed sites and we are working to create new partnerships for future projects.

Editorial content will be playing a big part of our upcoming work with JamesC leading the charge on this and plans to completely change the layout and look of his site including an opening video for the site which we are designing the overall look for at the moment.

Focus is on publication and as previously mentioned, World Fashion Media News having a new print version coming soon, we will be working on editorials exclusive to them with an emphasis on clean beauty and male grooming.

Our list of magazines is growing and thankfully the terms are clearly laid out which means we can focus on the artistic over the corporate first with marketing taking a very close second.

Motivated and pushing forward The Lost Creative team is working hard and dreaming big.

Wolfskin London Mens Grooming Kit for Makeup Artists

Wolfskin London.

As the makeup industry landscape changes to meet new standards and we see the need for new techniques and methods, especially for TV presenters, Wolfskin London offers a simple solution that allows men to look smart, well-groomed, and professional in any setting.

Increasingly people are required to work from home using software setups for digital meetings and the full HD screens are opening up our faces to closer scrutiny and the need for a clean, fresh, groomed look as we work from home is becoming a must and in a media format, this can also mean that for male presenters who are often used to having a makeup artist on set, they will now need to do their own makeup which is where Wolfskin London becomes integral to the media business.

For the Lost team, the reason we are looking to Wolfskin London is fairly straight forward, it is designed to suit men and is simple enough that it is suitable for most situations and we can (if required) teach our male talent to do their own makeup with minimal fuss and will be something we reach for when we cover events such as fashion shows.

Pushing forward in the make-up realm having a range that is designed for men both professionally and personally will be something we work with more in line with not only the projects we have in development but for the future of the company overall.

To learn more about the Wolfskin London range or to purchase see:

Wolfskin London Shop.

Wolfskin London Instagram.

Wolfskin London Facebook.

Wolfskin London Twitter.

Editorial Makeup Submission Featuring World Fashion Media News

magazine covers

Frustration is really kicking in for a lot of the creative talent out there (understandably) and it is gratifying to know that there is a light at the end of the tunnel for those who are returning to salons and for the photographic community this also means we can push forward with plans and marketing strategies with fresh, exclusive content for the digital market. The online magazine and long-standing supporter of the Lost Concept, World Fashion Media News has been hard at work creating new avenues for creative talents and revamping the website to better showcase artistic work from catwalks to individuals. Submitting your work has become a much easier prospect in the last few years and we (like many others) are getting our work collated ready to submit, promote and showcase our inhouse creative talents such as creative director JamesC.

While we are going down the exclusive route there are options to have editorials, covers, and tears with magazine logos that can be used to create not only a stellar portfolio of work at a low cost but a chance to experiment with new ideas and stretch your artistic muscles.

Our primary focus is going to be about exclusive content and will be shown across websites and as you can imagine with our ties to the HOD TV team, Horror concepts will be played alongside some other fashion portraits and of course we will be doing a full series of images and conceptual work with exclusive to our websites in amongst this.

In our capacity as a creative team and with the support of our partners in Nepal Film Production, we are structuring this to be a wider campaign based concept with a series of long and short term goals to be met over the next 12 months.

*To learn more about submitting to World Fashion Media News Click here.

 

Project Planning With Nepal Productions

Project Planning

We really do owe a debt of gratitude to our team in Nepal especially Digbijaya Bharati from the Nepal Film Production team, who has been patient during the lockdown and happy to continue working via Whatsapp so we can as a team which gets our work moving forward, not just with media but other elements and promotional avenues we are exploring. As our regular readers will be aware our plans are geared toward Intenet TV, in particular, the horror and Thriller genres with a sideline in the editorial market to boost marketing via social accounts and strategic placement of ads.

For us, it has become planning and strategy that allows us to focus our energies in new areas of business and develop further as a business although at heart we still love makeup work and our creative director JamesC is part and parcel of the ongoing plans, we are all on board with changes being made to the business and have some smaller elements such as the facecharts being brought back in (the JamesC facechart will be available again via his site soon).

We already have several scripts in play for development in the realm of TV and will be working on a range of new images and behind the scenes work while the weather is good and allows us flexibility, the new guidelines for production work will be a big part of how we move forward ensuring everyone involved is safe and the work is handled carefully.

As our previous blog has stated we are going to also look at skills development for our in-house team to allow us to multitask and keep the crew requirements to a minimum and safe.

*Change in how the media and fashion industry will be massive and we are doing all we can to ensure that our staff is safe, the team (both the UK and South Asian) are up to date on the latest changes.