business development

The House of iKons September Show 2023

London fashion week is the social event of the fashion calendar with House of iKons standing high in the field with good reason, this top 6 show worldwide has become the go to event for buyers, designers and creatives of all stripes to showcase their talents to an audience that spans the globe.

“From the simple to the sublime, House of iKons has new reached new heights with The CEO of the Company Savita Kaye was honoured to receive a prestigious award from the Government of Thailand on behalf of Her Majesty Queen Sirkit of Thailand. Making this show and CEO Savita Kaye Herself an iKon of regal proportions.”

From the catwalk to the big screen, there are no limits to the range of the House of iKons show as this September has shown, there are no limits to creativity and each season they continue to outdo the last and leave the audience (in person and online) in awe.

Sponsored by Girl Meets Brush & The Fashion Life Tour.

Segment One Show

  • Grand Opening: Jhay Layson 

  • CLC Couture 

  • Fantasma 

  • Grand Finale: Love Collection 

Segment Two Show

  • Grand Opening: Celebration of Thai Arts & Culture by Bangkok Event Management Co Ltd

  • Kat Couture 

  • D’BPHOR represented by The Fashion Life Tour 

  • Jennifer Younger 

  • La Petite Wardrobe 

  • Hafanana represented by The Fashion Life Tour

  • Postcode Fashion

  • Anvi Couture represented by The Fashion Life Tour 

  • AU10TIC

  • Grand Finale: Stephan Russell

Segment Three Show

  • Grand Opening: Zaira Christa

  • TSafari

  • Wanda Beauchamp

  • Perry Jones represented by The Fashion Life Tour

  • TAMTA

  • Saima Chaudhry represented by The Fashion Life Tour

  • Adrianna Ostrowska

  • TUVZA represented by B20 Events 

  • Shameless Opinion represented by The Fashion Life Tour

  • Grand Finale: Andre Soriano

    Image credits: 

    London Show: Ram Eagle

    New York Show: Johnny Jones


    For further information on The House of iKons or opportunities to get involved in the show see:

    House of iKons Website.

    House of iKons Facebook.

    House of iKons Instagram.


Tea and Business With Nepal Film Productions

Something I and the rest of the team at Lost Creatives are incredibly proud of is our ties to Nepal Film Productions as a consultant, our founder and creative director JamesC works closely with the team to discuss a wide range of subjects and catch up on the latest business news from our partners in Nepal.

Our most recent discussions were done as always virtually, with JamesC taking coffee at his favourite spot and working with the team at Nepal Film Productions on some smaller concept project details with a little personal news into the bargain.

Leaders in various fields, it is always a pleasure to hear about the clientele and projects that they are involved in and offer up new options such as introductions to our own contacts such as Sons of Adonis, and New Village Video, giving the makeup artists and fellow filmmakers of Nepal access to new resources and avenues in both makeup and of course, distribution for indie film.

Nepal Film Productions are currently working a slate of exciting projects with new and regular clients ranging from the premium end of the market (Netflix and Warner Bros to name but two), as well as indie film and collaborating with film festivals to showcase new talent.

Very soon we will be working on a series of blogs with Nepal Film Production on a wide range of subjects that affect the industry and offering a deeper insight into a country that is the jewel in the crown of South Asia, a beautiful country with a fascinating history, the endless potential of Nepal is something we are always happy to showcase and in conjunction with our partners at Nepal Film Production, look at things from a different perspective than the standard vision of the country.

To learn more about the company and Nepal or what they can offer to film and TV see:

Nepal Film Production Website.

Source: https://nepalfilmproduction.com/

New Village Video

As we are all aware there are major changes in motion in the mainstream market of film and TV, which is leading to the question “can the indies step in and entertain us?”  Happily the answer is yes, and sites like New Village Video are stepping up to the plate with gusto and bringing old school values and entertainment back to the market.

Focused on the best and brightest of the indie, art, and grindhouse movie scene, New Village Video is about the charms of a video store combined with the best of the digital age. 

Indie film is the heart of much of their work and their films have that “straight to video” feel that is somewhere between nostalgic and innovative, offering you the chance to support new and emerging talents, filmmakers and artists in a way that is entertainingly quirky.

What this means is there Is an option for us out there who have lower budget visuals and tongue in cheek chic films that are about pure entertainment, getting films out there and opening the door to genre based films that focus on the popcorn chucking entertainment, and scares that a good movie should.  From a filmmaking perspective New Village Video is the modern version of the VHS for hire route that gave us cult/underground movies that went from backyard films to schoolyard legend without the need for a PR team.  

Giving power to the indies is just a small part of what this offers, New Village Video is set to become the digital film archive for those who just want to entertain.  Worthy of checking out on all fronts: from consumer to artiste, the potential to showcase your work, make money on your investment, and have your film seen is enough to tip the scales in their favour and as someone who appreciates movies, and has a set of goals that include schlock horror, this will be top of the list for me to showcase my own films and with their commission rates in the favour of the filmmaker, it is without question a good time to be an indie filmmaker in a fluctuating market. 

To learn more about New Village Video or to discuss submissions see:

New Village Video.

Submissions at New Village Video.





Source: https://newvillagevideo.com/

Talking Business with Lukey Lukey

Something we find fascinating is the desire and passion behind brands, Lukey Lukey is a great example of this with the line already gathering attention we wanted to find out more about the beginnings and future of this eye-catching collection.

Lukey Lukey is a curated, yet all encompassing color range that has really grabbed people's attention. Can you tell us more about the line and how it all started?   

 It all started for me during the lockdown. I had been working in the beauty industry as a stylist, colourist and educator for well over a decade, and I had just started a new career as a freelance beauty editor. It was a nice change of pace from the type of work I had been doing for the longest time. I always felt like there was something missing from my career. Whenever I achieved what I set out to do, I wanted to move on to the next thing immediately. I never felt fully content with what I was doing. Finally, it just hit me: I need to start my own brand. Once I had that "Aha moment", everything just became really clear to me. I was grateful to be working fully remotely at the time because it gave me enough time to research everything that I’d need to know to start my own business. The hard work started there, but my vision was crystal clear, so to me the hardest part was already complete. 

When you were designing the Lukey Lukey range what was the driving force behind the look?   

 Lukey Lukey, it’s branding and everything about the aesthetic is like something that’s been trapped inside my head that’s always been yearning to break out. I can’t explain how easy it all came to me. It didn’t even “come” to me, I just let it all out. I knew exactly how I wanted everything to look, how I wanted the logo to be styled, the type of models I wanted to use, everything just flowed very easily. Getting to be creative and design all of this was a dream for me. My mother is an artist and she painted the original artwork, with me instructing how I wanted it to look. It’s such a fond memory of the brand's creation. 

You chose to lead with a cream blusher collection for your brand, is there more planned for the future and can you share with us your plans?   

“ Yes! Blush is very near and dear to me and my journey in beauty! I was always self-conscious of blushing and having rosy cheeks, so it was me taking back my power!”

Trying to celebrate our insecurities – as difficult as that may be at times. I also find blush interesting in terms of colour theory; colour has always been my passion, in every avenue of my life. I have so many plans for future launches and where I want the brand to go. A collection takes such a long time to create, I started planning the second collection before Dream Cheeks – my first collection – even launched! 

Is there any advice you can offer to aspiring entrepreneurs entering into the beauty industry? 

 It’s competitive, so you need to have a very clear idea of what you want to create. Once you know what you want and you are confident in your choices, trust your instinct. Nobody knows what you want to achieve as clearly as you do. It’s great to have a few people to bounce ideas off, but once you make a decision you need to have the confidence to stand behind it. Running a business is difficult enough without doubting yourself, you need to be sure of yourself, always. 

To learn more about the brand or to purchase see:

Lukey Lukey Website.

Lukey Lukey Instagram.

Lukey Lukey Facebook.

Lukey Lukey TikTok.

Source: https://lukeylukey.com/

Lukey Lukey Cream Blush Revolution

As many will know, JamesC has an obsession with blush, so when he came across the debut collection from Lukey Lukey of 4 universal shades of cream blush it was a match made in heaven.  

Luke Nolan the founder behind the colour collection has developed this to be a consumer dream and an artist must, from the chic blue packaging to the carefully curated cream colours, this brand is designed to meet artistic standards and colour theory methods while enhancing beauty with minimal fuss and maximum impact.

From a purely artistic point of view this range has the hallmarks of a bridal staple, a film/TV artist must, and an editorial plus when it comes to a working kit and throw in the potential to sell the product in your salon Lukey Lukey Blush is set to be a go-to across the spectrum.

Produced in Europe, the range may be small but has the potential to make a big impact and has the support of The Lost Creatives team as well as our own JamesC who is already plotting out looks for this spectacular blush. 

To learn more about the collection or to purchase see:

Lukey Lukey Website.

Lukey Lukey Instagram.

Lukey Lukey Facebook.

Lukey Lukey TikTok.

Source: https://lukeylukey.com/

Timeline Updates

While the blog and other elements have been very quiet of late, we do apologize for this, it does not mean we have been idle. In fact it is the opposite with so much in the works we have had to set deadlines for projects and new launches before time really ran away and we lost track of what is being done.

Some of the domains we own are now due for renewal and we are using that as the baseline for soft launching websites and taking down some of the older work to make things as clean as possible.

With a wedding under our belt, in what will be a two-part package, there is some really beautiful images coming from that which will showcase our creative director and founder working as well as our beautiful bride.

Lost Creatives is going to be changed dramatically as well with new galleries being worked out to match the upcoming Lost Project Media site that will be the home of our video and print work, a mix of editorial and commercial campaigns, more on this later.

James will be launching a fresh new site which as a makeup artist he wanted to be a whole set of new work all tailored to the lost identity and brand and completely different from his previous site with a focus on the commercial.

In the next week we will be doing a very interesting set of blogs piece about indie brands that popped up on our radar and will be playing a part in the working kit of our house artist. Both of which are interesting and will offer very different perspectives on a makeup kit as well as product usage and placement.

With an end goal of updating not just the websites but our other networking sites such as Vshowcards, by August we will be well on our way to the whole new look and entirely different brand identity than when we started and it is truly exciting to see how things have developed from where we began.

Time For a Change

The last few weeks have been really hard, a combination of ill health and just general contract negotiations have meant that we really haven’t had the time to update the website. However, this has been a positive overall and allowed us to really prioritize the future of the Lost as a concept.

One of the biggest things to come out of this has been our creative director JamesC has made the decision to close his current portfolio website, we have maintained control of the domain name, and will be starting from scratch with a new fresh work in conjunction with a select number of very good photographers hand picked from a list of contacts and sources, the images from which will be submitted to publications.

We are also looking at reshuffling all the domains we own and bringing a more mixed media focus to our work with films of varying lengths and commercial status being worked on to change the very restricted state we are in.

Over the next month there will be more updates and galleries showcasing fresh work and taking the whole Lost concept back to basics and putting the energy where we want it to be as a whole with a focused print/digital fashion portfolio and a slate of smaller video projects that have been carefully researched and plotted around our requirements for festivals.

More updates will be released soon.

The Behind The Scenes Podcast is Now Live

If you are a mover, shaker or media maker, then the Behind The Scenes Podcast is the place to be seen and a must for keeping up with what’s happening. Started as a way to bring the behind the camera people to the forefront, it is already offering up insights into the background work of the creative realm that would otherwise be unseen and showing how much deeper the work goes than just the stage or a screen.

We are privy to some of the upcoming interviews (one of which will be our own JamesC) and know how much time and effort is going into this from a purely creative stance, it is already on our watch list. Lost Creatives being a behind the scenes blog, we are fully behind Stephen the founder of the Behind The Scenes Podcast and cannot wait to see more and highly recommend watching and subscribing to the channel and other social accounts.

A special nod goes out to the cast and crew at City Theatre who are amongst the early interviewees and offered up some interesting insights into the world of theatre casting and acting.

To learn more or to subscribe see:

Behind The Scenes YouTube.

Behind The Scenes Twitter.

Behind The Scenes Instagram.

Behind The Scenes TikTok.

Source: https://www.youtube.com/@BTSinfront

Project Notes

A habit our creative director JamesC picked up when living in India that we are actively pushing again, is keeping a notebook and pen to hand, ideal for writing down phone numbers or emails, sketching ideas for photos or as we know he did frequently, outlining plots for TV or film projects.

JamesC has in the last few weeks come up with ideas that will work as short films for festival entry or expanded into a much longer concept that need to be padded to suit the plans for 2023.

Festivals are going to be a very heavy focus of the work ahead, we have spent a lot of time checking options of annual, quarterly and by far our most favoured, monthly film festivals that take film and photo projects.

Of course our favourite book for filmmakers “Don’t F*ck Up Your No Budget Film” by Ivan Peric, plays a heavy part in our thinking because this insightful first hand account of low budget creation is designed to shape your work into a commercial project and works well with our own thinking and add to this the very savvy and again, first hand account of Patricia Jones book “Opening Doors for Working Class Actors” which when combined with Ivan’s book has the scope to create a great combination and open up the projects we have to fresh talent and with the right focus and marketing (kept within a budget) see a series of smaller films and Web TV projects built with a commercially viable slant that will benefit all involved.

We will be using the Vshowcards site for casting and actively encourage people to check them out not just because we think it is a fantastic network site, but for the various casting calls that are available.

Expanding notes on our plan will be slow released through the blog and we will be working hard to get this push running with the Lost Agency supporting it and of course led by our own JamesC who will be front and centre with upcoming interviews including the Behind The Scenes Podcast, amongst the other elements at play.

Stay tuned for more updates and sneak images of our notes.

The iKons Return in 2023

As we move into 2023, The House of iKons is gearing up for their first showcase of the year. A creative spectacular of talent in design, makeup, and backstage talents of all stripes, being part of the iKons show is a step in fashion that no one wants to miss.

“Known as a platform for talent, The House of iKons is the ticket to have, the place to be seen, and the show to work for those established or entering the fashion arena.”

With their connections to the global stage (a top 6 show worldwide for the independent fashion scene), their ties to Royal households including the prestigious and forward thinking Thai Royal family, have taken the show from its London base to a global stage bring designers and talent from across the world to the table and giving them a unique voice in the fashion world.

The February show is the first stage in the calendar that this year features a spectrum of creative talent and as always will be open to new people who want to add to their CV with prestige.

Schedule for Show Saturday 18th February 2023

Networking & Exhibition Starts  from 12.00pm till 8.00pm:

Exhibition doors open from 12.00pm:

  • Vip 360

  • Raaj K Asthetics 

  • Love Collection 

  • PamPinay 

  • AveriStar

  • Fantasma

  • JCIDEL

  • Park Pharmacy 

  • Zilli Coffee

  • Nacharee Thai Kitchen 

  • Zaira Christa 

  • InfiniteAloe

  • Tawa sponsored by Nydia Crick

Fashion Show: Segment ONE 2.00pm

  • GRAND OPENING: Love Collection

  • Adriana Ostrowska

  • DNB Couture represented by The Fashion Life Tour

  • JCIDEL

  • Hafanana Swimwear represented by The Fashion Life Tour

  • DivaBigg

  • Music Performance: Anya Kay

  • Jhay Layson

  • The Fashion Life Tour

  • Therese Marie Collection

  • Apple World Collection

  • Love Collection

  • Andre Soriano

  • GRAND FINALE: Yalacity supported by HM The Queen Sirkit of Thailand Department of Agriculture 

SOLO SEGMENT - DivaBigg 4.00pm

Premier of Documentary - ‘Fat is Fashion’ & Fashion Show of DivaBigg collection.

Fashion Show Segment TWO 5.00pm

  • GRAND OPENING: PIMPA Paris 

  • Fantasma

  • Chavez

  • Jhay Layson

  • Maria Mahlmann MM REMIX

  • Music Performance: Myles Smith

  • The Fashion Life Tour CLC Couture

  • The Fashion Life Tour

  • Links by Gwen

  • Adriana Ostrowska

  • Music Performance: Cooper Phillip

  • Pam Pinay

  • Perry Jones represented by The Fashion Life Tour

  • Zaira Christa

  • Tawa sponsored by Nydia Crick

  • GRAND FINALE - Will Franco

To learn more about The House of iKons, or to book tickets see:

House of iKons Website.

House of iKons Instagram.

House of iKons Facebook.

House of iKons Tickets.

Image credits: Mark Gunter, Ram Eagle, Mok Photography, @ch_photoz, Jessica Smith, @mtuck1967, @jalb_films, Mariana London, Andreas Münchbach, Alfred Brandl.

Source: https://www.eventbrite.co.uk/e/hoi-fashion...

Mykitco Brush Box: The Artist Solution For Shoots

When it comes to kit for pro makeup artists (and aficionados) Mykitco has become the go to brand focusing on brushes, tools and storage, they are an artist brand at heart understanding not just the changing face of the business but being on top of the creative needs of its customers base which is why the latest addition to the range: My Brush Box TM is a savvy addition to the brand.

As we all know, how we work as artists has changed with people being more aware of hygiene and looking closer at the way we store our kit, brushes in this case being one of the most important, the Mykitco Brush box is a real plus on that front for a number of reasons:

Brushes can be packed to suit the work at hand with multiples for a shoot being placed in the box on both sides or *as illustrated above, with brushes and small palettes that can be stored quickly and easily to access during a shoot in a set bag such as the Backstage Buddy available in small, medium and now a large backstage buddy option, without risk of damage as they roll around in the bag.

With its core of artistry led design at the heart of the business, it is no surprise that artists including our own JamesC, have taken the brand on as go-to for their professional needs.

To learn more about the Mykitco range or to purchase see:

Mykitco Website.

Mykitco Instagram.

For details on their pro discount click here.

Source: https://www.mykitco.uk/products/my-brush-b...

Talking Books and Films With Ivan Peric

Over at The Lost Creatives, we are big fans of Ivan Peric and his book on filmmaking, taken from his own experiences and offering a solid plan for making and selling your work that resonates with our team. We are extremely thankful that he took some time out of his schedule to talk to us and open up about what he has been doing since the launch of “Don’t F*ck Up Your No Budget Movie!”

You are returning from a break after the release of your successful and lauded book “Don’t F*ck Up Your No-Budget Movie!” What have you been doing in that time that you can share with us?

Thanks for this question as it touches upon something that we don't often hear about, and that's taking ''breaks". Taking the time to not do anything and just relax. You scroll down your social media feed and all you see are people pushing the ''hustle'' and "grind'' lifestyle, it's rare you see someone talking about taking it easy and pacing yourself.

“The reality is that everyone needs to take breaks every once in a while in order not to burn out. This is especially true for us artists and digital creators.”

Most of us have full-time jobs and families, so all the extra work we put into our projects ends up taking a toll on our bodies. Just like any car, it doesn't matter if you use it for work or leisure, the mileage always accumulates. So that's what I did, I just took a break from it all, acting, writing, producing...My agent was sending me auditions and I just couldn't get myself to do them. I was physically and mentally drained.

I had written DFYNBM during the pandemic, the editing process was a lot of work and a lot of back and forth with the editors, then the publisher released it pretty quickly so I had to be on my toes and start promoting it right away.

With the uncertainties of the pandemic, everyday life at work, and writing this book, I never got to take a step back and refocus. After a few months ''off'', I now feel great and motivated to continue working on my plans for this book and other projects!

You have spoken quite openly about how your workflow has changed thanks to your experiences in filmmaking, taking you from actor to director/producer to give you control over your projects, how has this affected your style as an actor overall, and is it a method you would recommend?

Yes, I would definitely recommend any actor to pick up a camera and produce something themselves! It's the best experience and you get to see through the eyes of a producer and director. For me, understanding the process gave me much more confidence as an actor.

Once you get to understand how things work, you put much less pressure on yourself. Most young actors are very self-conscious, always wondering what everyone on set thinks of their performance. I was like that, always looking for that validation. By becoming a director yourself, you get to understand that performing is not that complicated and it often doesn't take that much of a ''performance'' as some actors might think.

It definitely grounded my acting style. Every subtle moment is blown up by 1000% on the screen, so it made me understand that less is more because the camera catches everything. You also get to understand the point of view of the director much more.

I remember being a young actor and being devastated by any notes a director would give me after a take. I would take it personally and couldn't understand why the director didn't like my performance. But the truth was that the director never disliked my performance, he just wanted to see something different and push me as an artist. Producing also makes you appreciate every single person on set. You see and understand that everyone has an important role in a production. You just respect everyone more, and out of that respect comes better performances because you want to contribute as best as you can to the project.

What is next for you in the creative arena? Do you have any new projects planned? Will
you be taking your method on the road and teaching the Ivan Peric method of filmmaking?

Every time I come back from a break I want to do it all! I feel inspired to act, write and produce! But I know I will have to focus on one thing at a time. I wasn't 100% satisfied with my book launch as it was rushed by the publisher and I didn't have much time to market it before I had to take a break. So the first thing on my list is to continue to push my book and get it out there to as many people as possible. Yes, one of the ways I will be doing this is by starting workshops for aspiring filmmakers. I would love to have seminars all around the world and inspire others to start making their own movies.

My main goal with DFYNBM was to inspire people who might not have a big budget, or any budget at all, to produce their own feature films. I believe these seminars can complement the book very well by being not only inspiring but also informative and entertaining.

I have so many stories and anecdotes I would love to share that didn't end up in the book! I will start locally here in Montreal, then hopefully expand to the rest of Canada and the US. The next goal after that would be to go overseas! I will also slowly get back into acting. I already have a few auditions lined up that seem like fun. There are also some unfinished scripts I'd like to work on and hopefully produce.

What advice would you offer anyone entering the film or TV arena as an actor, producer, or director?

Make sure you are getting into it because you absolutely love it. Don't do it for some kind of fame or fortune because there is a 99.9% chance you won't get it. Do it from your heart and not your ego. Take classes/workshops, and learn as much about your craft as you can. Watch a lot of movies and shows!

There is a lot of great content out there and so many outlets where you can expose your work. There is no excuse these days, the technology is affordable and platforms are always looking for fresh ideas. Finally, just do it! Pick up your digital camera or iPhone and just go out there and shoot. If you're an actor, record yourself doing scenes or shoot skits to keep yourself sharp, and never give up!

To learn more about Ivan Peric and his work or to purchase his excellent book see:

Ivan Peric Website.

Ivan Peric Instagram.

Ivan Peric Facebook.

Ivan Peric Twitter.

Ivan Peric Youtube.

Don’t F*ck Up Your No Budget Movie! Amazon UK.

Don’t F*ck Up Your No Budget Movie! Amazon USA.



Source: https://www.ivanperic.com/

Nepal Cultural International Film Festival 2022

As they move into their 4th year, Nepal Cultural International Film Festival 2022, has showcased films from across the globe and given a new voice to the people in the film world from their base in Nepal, the jewel in the crown of South Asia.

Bringing not only the beauty and culture of Nepal to the global stage, but the NCIFF is also now amongst the most coveted festival awards received in the region, showcasing a wide array of films both feature-length and short with awards in multiple areas including:

  • Best International Women’s Film.

  • Best International Children’s Film.

  • Best International Human Rights Film.

  • Best International Cultural Film.

  • Best International Environmental Film.

This 3-day event has attracted audiences from across the world and with new options available for sponsorship there are now even wider opportunities to get involved and not only promote your work as a filmmaker but to showcase your brand to a wider audience.

To learn more about the festival or opportunities to get involved see:

Nepal Cultural International Film Festival 2022 Film Freeway.

Nepal Culture and Film Center.

Source: https://filmfreeway.com/NCIFF-2022

Introducing Nikko Turner

Finding her place in the world of media, Nikko Turner is a fresh face in the industry and already making waves with her collaborations. Here we talk about finding her feet and entering the industry as and assistant director and her future plans.

Can you give us some background on yourself and your career to date?

Personally, I am only just starting out in the industry - I’m currently studying film at university, but I’m aware there’s only so much I can learn through my course so I’m trying to get as much hands-on experience as I can. That’s how I met Wolf and Alex, working on a student-led film before we reached out to professionals in the industry which led to us meeting Tequila.

Indie film commonly requires that crew multi-task, have you found yourself working more than one role on a project and what do you feel you have learned from that?  

The roles I typically have on a film are producer and AD, but I have recently directed a 5-minute film and I’m working towards trying out other aspects of filmmaking too. Despite my typical roles the duties I take on often expand through a few departments - on our first film ‘Ellipis’ for example, I was also involved in set design, props, and costume. Doing this is allowing me to gain a lot of knowledge across varying elements of film production and it has given me a better understanding of how each of these pieces fit together to create the final outcome.

You are part of a newly formed film production team, what is your role and what is the plan for the company?  

What we’re trying to do is create a dependable means of filmmaking, through building up connections, improving our skills, and evolving as filmmakers. We’ve found that we work really well together which is why we’ve formed this company, to grow together and learn from each other. It gives us an opportunity to try new things, whether that be roles we’re unfamiliar with or new styles and approaches to filmmaking. The ultimate plan is that we will be able to create bigger films; we aspire to be able to have the skills and resources to work on projects and ideas that are currently unfeasible.

What advice would you offer to people looking to enter the arena of film and TV in the digital market?  

“I’ve found that building connections and expanding your network is one of the most important aspects of filmmaking.”

Making use of social media has been an effective way of connecting with people, finding cast and crew to work with on projects, and getting these projects seen - the digital age has really increased accessibility into the film industry, and I would recommend making good use of online platforms to reach likeminded people.

To learn more about Nikko or the Dead Origami Films team see:

Dead Origami Films Twitter.

Dead Origami Films Facebook.

Dead Origami Films Instagram.

Dead Origami Films Youtube.

*Images from the 48-hour film challenge project “Hear My Voice.”

Source: https://youtu.be/7qErQ77z2Z8

Introducing Dead Origami Films

We are really pleased to be able to introduce the team behind the up-and-coming Dead Origami Films who have been making waves in the circuit. With a new project on the cards, it seemed to be the perfect time to talk about filmmaking and their collaboration with vshowcards.

You have been working on some smaller projects as a starting point for your new production company Dead Origami Films, can you tell us more about how you came to do this and your background as a team?

I had written the script for our first short film 'Ellipsis' and I was trying to find a crew to make it with through my university but I really wasn't getting anywhere until I met fellow students, Alex Chalatsis and Nikko Turner (who had the same roles). We found that we not only worked exceptionally well together but that it was a team dynamic and with a group of skills that stood out on set as well, to very positive notes from others. We'd already begun talking about doing other films together by that point, but after we finished shooting Ellipsis we set about bringing that dream to life through the foundation of our production house, with Tequila Carter who was a producer and SFX makeup artist from Ellipsis, who we found to be incredibly resourceful and passionate.

Whilst Alex and I have known each other for about a year now, it's amusing to think that Nikko only joined us six months ago and Tequila a month after that, when I feel like I've known and worked with them all for much, much longer - we've got an unusual kind of symmetry that makes working together fun and effective. We all have weaknesses and strengths that complement each other and more than that we're incredibly passionate about what we're trying to build as a team.

You are working on a new short film at the moment, what can you tell us about the project and your plans for this film?

Absolutely, it's called 'Brutus' and it is a modern adaptation of William Shakespeare's Julius Caesar (Act 1, Scene 2) which we're shooting in Southend-On-Sea in late September. It portrays the titular Brutus and his fellow senators as a group of gangsters plotting to kill their boss in a pub. Narratively, the film follows Brutus' journey through a single night as he wrestles with the decision to murder his close friend for the sake of his people and the consequences of that emotional turmoil on his marriage.
I'd tentatively call it a proof-of-concept piece as I do have interest in the possibility of adapting the entire play into a feature eventually, but by the same token, I'm adamant in my desire to make this film feel capable of standing on its own two feet as well.

One thing that has been noted is that you're working alongside vshowcards: what was the motivation behind this and how has it affected the dynamic of your projects?

I became aware of vshowcards at the Southend Film Festival, where I'd just watched the feature 'Fixed', which had cast Darren Tassell, one of their founders. I'd already been thinking about doing some modern adaptations of Shakespeare for a long time, but it wasn't something I took seriously until I met Darren and thought to myself, "That's my Brutus!". From there things snowballed, and it became Dead Origami Film's next project.

I had a meeting with Darren shortly after the festival and he told me more about vshowcards and what they were trying to do with it and I decided to try casting the film through their network, which I found to be a brilliant asset. It was more the case that I just found the people I felt were perfect for the roles there, rather than the idea that I set my sights on casting through vshowcards exclusively, a fact evidenced by my casting Kim Gjersøe who I'd worked with on Ellipsis. But how vshowcards is set up, just lent itself naturally to helping me make clear-cut casting choices.

With Dead Origami Films now moving forward, what is the goal of the company in film terms? Do you have a genre or particular theme you want to continue with?

Well, we've got four more short films slated for production after the Brutus. Next, we'll be doing 'Garmr', which is going to be the surrealistic exploration of a deranged WWII sniper. After which we'll be doing two more modern adaptations of Shakespeare (Macbeth + Romeo & Juliet), which brings us to 'Iscariot: House of the Red Door', which I'm extremely excited about in terms of our set design and visual effects.

Through 2023/2024 we've been talking about doing our first feature film, which will be named after and inspired by Victor Hugo's 1829 seminal novella “The Last Day of a Condemned Man”, which will philosophically and morally explore the mindset of a prisoner sentenced to death.

Nikko and I are blessed in that we have incredibly specifically similar tastes in film, heavily leaning towards the surreal and dark themes in general which pairs well with Tequila's love of horror films. Alex loves anything starring Tommy Wiseau, but we forgive him for his sins. I think those themes ring true in a lot of what we're planning on doing over the next few years, but on a personal level I wouldn't want to see us pigeonholed into doing just one genre of filmmaking, I've certainly got aspirations towards making other kinds of films.

What advice would you offer to people looking to enter the film/TV industry based on your own experiences?

That's a challenging question to answer as I imagine most people's situations would be quite different from my own. I'm lucky in that I found a group of people who believe in me and in each other and want to see where we can go with that belief. For us, that extends into developing a youtube and Patreon community with a large amount of content we'll be developing from next month - this allows us the opportunity to not only get in practice as filmmakers between short films but also ultimately, develop a financial stream that will allow us to function self-sustainably in the future if need be.

“I think I only have one piece of advice worth sharing that is as true to life as it is to filmmaking. Find yourself good people to enjoy life and create art with, people who will embrace you for who you are and you them. It might take a lifetime to find them, but they are out there.”

To learn more about Dead Oragami Films or their project work see:

Dead Origami Films Twitter.

Dead Origami Films Facebook.

Dead Origami Films Instagram.

Dead Origami Films Youtube.

Source: https://www.youtube.com/channel/UCE0nZpouR...

Monsteer Artistry Brings Their Vision To The Stage

One of the best places to earn your craft as an actor, director, or crew has always been the stage, and Monsteer Artistry has taken this notion and run with their new play “The Feeling” which debuts at the Union Theater London on the 8th of September.

“A solid comedic piece about relationships, alcohol, and betrayals. the technical team has been working hard on the play alongside a stellar cast to create a play that is already getting attention from across the scene.”

We will be talking about the story, the work behind it, and of course the various elements of the setup (with a full show review coming soon). Combining the talents of the backstage with a fantastically written story by Monsteer Artistry’s own Kyra Jessica Willis, The Lost creative team is solidly behind this show and happy to be talking about the show, the process, and of course the hard graft it takes to make a play happen.

To learn more about the show or Monsteer Artistry see:

The Feeling” Union Theatre.

Monsteer Artistry.

Source: http://uniontheatre.biz/show/the-feeling/

The House of iKons Meets Liberte International Digital Agency

As we move closer to September and The International Sensation that is The House of iKons show, it is interesting and worthy of note that they are collaborating with Liberte International Digital Agency to create a whole host of digital avenues for their creative talent that will change the landscape of fashion.

With familiar faces sponsoring the event such as The Fashion Life Tour, and Girl Meets Brush who both bring something unique to the table and offer up their own skills and talents, it is the introduction of the Liberte International Digital Agency that has really grabbed peoples attention.

Focused on management and creation in the digital realm from virtual shows to digital currency, the Liberte International team has garnered notice and a stream of celebrity clients from across the spectrum, combining this with The House of iKons, a show that is in the top 6 international independent fashion events, no small feat and testament to the team, the sponsors and the business savvy of founder Savita Kaye, this collaboration opens up a wide array of digital doors for creative talent in design and other elements of the industry to expand into the metaverse.

Liberte International Digital Agency will be part of the networking and exhibition opening of the House of the iKons show (click here for more details on the lineup for the show), For further information on The House of iKons or Liberte International Digital Agency see:

The House of iKons Website.

The House of iKons Tickets.

Liberte International Digital Agency Website.

Source: https://www.eventbrite.co.uk/e/hoi-fashion...

Opening Doors For Working-Class Actors By Patricia Jones

There has been a push to get more working-class people into actors but with that, there has been little to no attempt at providing any information or support, which is why we at the lost creatives were very happy to be able to talk to Patricia Jones, a working actress of note, and the author of the book “Opening Doors for Working-Class Actors.” 

Opening up to her readers about her own journey from her Northern English roots, and struggles, her honest and upfront approach to the art of acting offers up hope for those who want a career in the arts and shows that it can be done. 

The book itself covers the basics of starting out and takes you through the process, offering advice based on experience, anecdotes about people she has met, and how her own life shaped her journey. 

Each chapter sets out a map of the craft and puts you in a position to set a clear path from starting out to finding yourself an agent, with a series of current options that are designed to be researched and cross-referenced to fit your plans, budget, and aspirations. 

Something that stood out for us was the reference to theater as a learning platform, we are big advocates of working on stage as an actor or backstage as a crew member, you will learn a huge amount about time management, voice work, character development and working to the constraints of the stage, another plus is the short and student film market, both of which can give you a chance to build showreel material and network (a very important part of the job of an actor). 

The *book “Opening Doors for Working-Class Actors.” is a book that has been needed for many years and in a content-hungry age of digital downloads, shows that the craft is not just for those with financial means, it is a journey that can be made by anyone with the determination to do it. 

With the full support and endorsement of The Lost Creatives, the book “Opening Doors for Working-Class Actors” is something we highly recommend to anyone looking to delve into the world of acting or to expand their knowledge of the working world of actors. 

To learn more about Patrician Jones or discuss bookings see:

Patricia Jones Twitter.

For further details of the book which is available in Kindle, hardback and paperback format see:

Opening Doors For Working Class Actors Amazon UK.

Source: shorturl.at/AO259

Revamping The Lost Sites

We are going to be working on the Lost sites over the next two weeks allowing us to decide what is and isn’t working, change out images, and update affiliate links and partnerships, we are incredibly lucky to have some amazing brands supporting us already and we have projects that have been completed (but shelved due to other aspects of work underway) that will be used to update the sites.

From a professional stance, in particular to the makeup side, our creative director and head of makeup JamesC’s website has already been reworked to make it cleaner and simpler to navigate, he has chosen several brands to work with including Mykitco (check out the pro discount program for eligibility), Illamasqua Pro will become a featured brand soon, and of course Sons of Adonis (JamesC personally consulted with the owner of the range and the brush).

Two small projects for the festival circuit are being written and developed with a view to expanding into a full-scale TV series, an idea we have wanted to really push forward with for a long time, with the festival path we can tailor our choices to suit garnering awards for the team including the makeup, actors, and director to help with promotion.

*This means we will add to the roster very soon to help with the creation of projects, and a new TV production site will be a part of this planning.

We are really pleased that our main site, The Lost Project, is gathering attention (organically) and continues to be a source of information on the consumer side, the book reviews and makeup stories are proving to be popular which is something we are incredibly proud of.

More changes are coming and it is truly exciting to be working on the lost group expansion. Stay tuned for more updates and news.

Talking About An Agents Life With Louise Gubbay

There are so many talents in the creative industries and we are lucky enough to be able to talk to Louise Gubbay about her work as an agent, and how she has built her talent agency and a stellar reputation with production companies as well as actors. Offering insights into the world of casting, Louise brings a fresh perspective to the world of film and TV sharing the journey with us.

Can you tell us more about yourself and your agency?  How you started out and what do you do as an agent in the social media age? 

Firstly, thank you for inviting me to do this Q&A! I sincerely hope everyone that reads this will find it of use.

After spending many years in different parts of the industry, my passion was to eventually become an agent and when the kids came along, I decided it was the right time to set up Louise Gubbay Associates back in 2006.  I have always been a boutique agent representing actors across the board.  


A few years later, I decided to set up an LA side to the agency! This certainly was not an easy task and took many months before I eventually became a US taxpayer! That was a hugely proud moment in my career! The only reason I eventually closed it was because six years of working from 9 am – 3 am Monday to Friday started to make me a tad tired! But it was a very rewarding time! 


”I never trained as an actor and as I occasionally put out on Twitter, that was a good thing as, to be frank, I would be utterly shockingly bad but envy every actor who does their job brilliantly.  When I see my clients on stage, I am like the proud mum in the audience and generally fighting back the tears! “

I believe social media is important for any business.  It helps you connect with others, support others and promote yourself.  The power of social media is extraordinary. For me though, the way I use social media is to announce confirmed castings of any of my clients and support other actors the best I can.

You have become something of a sensation on Twitter for your motivational Tweets and posts about your client's achievements.  Can you tell us what is your thinking behind this and why you feel it is important to show support across the network? 

I am not sure I would go that far but thank you! I didn’t use my Twitter that much until Covid hit us although I would always shout my client’s credits from the rooftops on it. It is a fantastic feeling when they get cast as we all know this is not an easy industry! There is a lot of rejection for actors, so when we get positive outcomes, I need to let the world know! 

When the entire industry shut down back in 2020, I read many tweets of uncertainty from actors, some of who were the ‘class of 2020’ and others who were left with anxiety as to when and how the industry would reopen, much like we all were and I wanted to give support which has carried on to present day and will continue to carry on.  I was (and still am) inspired by my actor John Craggs who runs The Actors Support Network (@network_actor ) and thought that if I could also offer support, then maybe it would give actors additional hope.  At the best of times, the industry is not an easy one but actors need to keep believing in themselves, do what they need to do to market themselves and keep plugging away.  Good things do happen in the biz and whilst some of the time, actors may feel negative, as I always say, a negative will turn into a positive at some point!

I am in my 17th year as an agent and like everyone has good days, bad days, frustrating days, and positive days but I still look forward to starting work on Monday mornings! The best part about our industry is anything can happen in the next five minutes and sometimes, it does exactly that! 


My motivational tweets are usually thought of when I am walking Mr. Sweetface (aka Zeb, the double terrier) out in the gorgeous areas of rural Devon where I am lucky enough to live. It gives me a chance to think about actors who I do not represent and how I can help, advise or support them but predominantly, give them positivity.  It is so important to me. Not every actor will have representation and those are the ones that need guidance to help make that happen.

What advice would you offer someone looking for an agent to represent them and if they are looking to join your books what would be the best approach? 

It is so important for actors seeking rep to keep reminding themselves they too, are a business. Agents get a huge amount of representation requests throughout the year and so it is important to make sure you stand out.

There is no point in sending an email saying simply ‘Hello, I am an actor and looking for representation but I am working on my showreel’ for example.  That is not selling yourself.  I’m not saying many do but the occasional one does come in.


All actors need to have a showreel.  Agents need to see if they can act.  It might sound daft as they are an actor who is approaching an agent but if I had an email such as that with the actor wanting to meet up for a coffee, why would I take time away from my own clients as well as spend money on travel to meet that actor when I have no idea if they can actually act! It may sound harsh but it is reality.

Actors need to be happy with the package they are sending over to agents which would ultimately include headshots and some kind of reel.  If they are starting out, it won’t be a professional reel with clips of scenes they have done on a professional level but they can create their own scenes and that is perfectly acceptable as long as the sound and quality are at a decent level.  Something is always better than nothing! Actors are creatives, so create!

Also, and importantly, actors need to research the agents they are interested in. We don’t expect any actor to just pick one agent to approach at any one time but look and see which ones you think you could be a part of.  Working with an agent is a two-way street.  Both are after the same goal so it is imperative that both sides can work together.  I cannot guarantee that I would get any new client seen tomorrow, the next day, or the next month.  I am not psychic (sometimes I wish I was!) but the most important factor is for any of my actors to have that trust in me knowing that I am doing my job, which thankfully they do but also for me to know that those that who are also starting out are being proactive too.  A saying I have had for years is to never wait for the phone to ring….

This industry is all about selling yourself so actors should pinpoint the highlights of their career achievements so far. This could be that they have just graduated or they have just been cast in a short film or that they have just finished in the West End.  It doesn’t matter how big or small the credit is, it is simply about selling themselves.

Can you tell us what would you say to aspiring agents out there?  Is there any advice you can offer to new and potential agents to help them grow? 

If they really want to become agents, then do it! I feel absolutely blessed to have a job that I am so passionate about and feel the same enthusiasm today as I did on day one.  

I have advised a couple of new agents recently who have got in touch and am very happy to do that as I was a new agent once.  It is not the easiest career to get started but it is doable! Like any business, again, it’s all about marketing yourself, making contacts, and not giving up. When I see new agents on Twitter and see how passionate they are, I will always happily re-tweet them. Support goes a long way for any new business! Make it happen!

To learn more about Louise Gubbay and Associates or to get in touch see:

Louise Gubbay and Associates Website.

Louise Gubbay and Associates Twitter.

Louise Gubbay and Associates Facebook.

Louise Gubbay and associates Linkedin.




Source: http://www.louisegubbay.com/